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GRADUATE HANDBOOK

Department of English: Missouri State University

Welcome!

From Linda Trinh Moser, Director of Graduate Studies

Linda Trinh Moser, Director of Graduate StudiesWelcome to the graduate program in English at Missouri State University. We offer two Master of Arts degrees: the MA in English and in Writing, and help administer the Master of Science in Education with an emphasis in English. In addition, our department oversees two graduate certificate programs in Teaching English to Speakers of Other Languages (TESOL) and in Ozark Studies. Creative Writing, Literature, and TESOL are emphases or “tracks” within the MA in English program. The MA in Writing program offers tracks in Professional/Technical Writing and Rhetoric and Composition. Our programs serve students anticipating doctoral studies, those interested in careers in teaching at secondary schools or community colleges, professional writers, and those studying creative or expository writing. Students accepted into our programs are eligible to apply for assistantships in exchange for teaching courses in college composition. Advanced students are eligible to teach other subjects including creative writing, developmental writing, and literature; they may also assist faculty with research, editing, and/or writing projects. Graduate Assistantships come with fee waivers providing a full tuition and fee waiver and stipend.

Please explore our site and if you have any questions or need clarification on any of the information provided here, feel free to contact me at: EnglishGraduate@MissouriState.edu.

Dr. Linda Trinh Moser,
Director of Graduate Studies in English

Overview of Programs

Students in the M.A. in English program at Missouri State gain advanced skills in writing, critical reading, and analyzing language. Students also attain a broad, general knowledge of literature. Varying with students’ interests, the M.A. in English prepares graduates for doctoral study and for careers in writing, teaching, and other professions.

Students in the M.A. in Writing program at Missouri State study and develop research methods to teach writing and to practice writing in business and industry. Students also improve their professional writing skills and are trained to become effective writing teachers and successful professional writers. Students learn how to collaborate with area schools, businesses, and industries on issues related to written communication and literacy.

Students in the M.S. Ed. in English take courses in both the Education and English departments. This program provides teachers an opportunity to upgrade their preparation in both professional education and English subject matters.

One of the main benefits of our Master’s programs is that students take courses in all the “English” disciplines represented by our different tracks. This helps students develop relationships across disciplines while also imparting a sense of and respect for all the fields of study represented by English departments.

Admissions

MA in English: To be considered for the MA in English program, candidates should have an undergraduate English degree (or similar course work),* with a minimum GPA of 3.0 overall, a minimum 3.0 in English course work beyond the freshman year, and a GRE verbal score in the fiftieth percentile or higher. As conditions of admission, applicants may be required to take extra courses to make up deficiencies (including weaknesses in writing) or they may have other requirements stipulated.

* Normally, a graduate student will have an undergraduate major in English (at least 30 hours beyond freshman composition, including course work in advanced composition, Shakespeare, and a broad coverage of British and American literature).

MA in Writing: To be considered for the MA in Writing program, candidates must have completed an undergraduate degree with a minimum overall GPA of 3.0 and achieved a GRE general verbal score in the fiftieth percentile or higher. Prospective students who lack extensive undergraduate preparation in English or in writing (the course work equivalent of an English minor) should submit a portfolio of writing samples in addition to other application materials.

MS Ed English: To be considered for the MS Ed English program, applicants must be certified or certifiable in English in the state of Missouri upon completion of the minimum 15 hours in English. Before beginning the MSEd English program, candidates should have completed (and attained a minimum 3.0 GPA in) at least one composition course beyond freshman level, one course in the English language, and 12 hours of survey or period courses in British and American literature.

Application Procedures and Materials

Master of Arts in English, Master of Arts in Writing, and Master in Science in Education with Emphasis in English

To apply to English Graduate Programs, prospective students (non-international) need to submit materials to the Graduate College and to the Department of English. Prospective students should submit all necessary application materials at least two months before the start of the semester they wish to begin.

Graduate College Application Requirements:

Submit the following to:

Graduate College
Missouri State University
901 South National Avenue
Springfield, Missouri 65897

1. A completed Graduate College Application, which can be found:

a. in the back of the Graduate Catalog;

b. online at http://graduate.missouristate.edu/forms.htm (either the Online Application or the printable PDF format);

c. in the Graduate College office, 306 Carrington Hall

2. A $35 non-refundable application fee.

3. Two sets of official transcripts showing all course work for the bachelor’s degree and any graduate-level courses. At minimum, the bachelor’s transcript must show the last 60 hours of course work or the necessary additional undergraduate transcripts are required. Missouri State University transcripts do not need to be requested. Note: transcripts are not considered official unless they are received directly from the institution where the course work was completed.

4. Graduate Record Exam (GRE) scores (not necessary for MS Ed in English candidates). Only the general scores are necessary.

English Department Application Requirements:

In addition, submit the following to:

Graduate Director
Department of English
901 South National Avenue
Springfield, Missouri 65897

1. Personal Statement (a 200- to 250-word description of the reasons and goals behind your interest in English graduate studies).

2. Writing Sample (a 10–15 page critical paper in English that you have written). If you are interested in the Creative Writing track, you should also submit a creative writing sample (for example, 5–10 poems, a short story, or 10–20 pages from a novel).

3. At least two letters of recommendation (from individuals able to speak of the applicant’s academic achievements and potential).

4. Graduate Assistantship application if applicant wishes to be considered for this award. See section on “Graduate Teaching Assistantships.”

Due Date: To ensure consideration for a GAships, all application materials should be submitted by February 15.

International Student Application Requirements:

International applicants may request application materials and instructions by:

Mail: International Student Services
Missouri State University
901 South National Avenue
Springfield, Missouri 65897

Telephone: (417) 836–6618

Fax: (417) 836–7656

Email: internationalstudentservices@missouristate.edu

Web: http://international.missouristate.edu

International applicants are required to submit the following:

1. All Graduate College and English Department Application Requirements (described above).

2. Verification of financial support in an amount determined by the University as stated in the application materials.

3. Complete academic record including proof of degree attained. The applicant must have completed all requirements that are equivalent to a U.D. baccalaureate degree in an accredited, licensed, or recognized college or university and have appropriate undergraduate training to pursue the graduate degree of their choice.

4. Applicants whose primary language is other than English are required to submit appropriate proof of English proficiency. See p. 33 of the Graduate College Handbook for information on exam scores that constitute proof.

Note: For applicants who do not meet the TOEFL or IELTS requirements, Missouri State University offers a full-time intensive English Language Institute on campus. An online application is available at http://ccpe.missouristate.edu/eli/.

Program Components/Requirements

Requirements for the MA in English, MA in Writing, and MS.Ed. in English include guided as well as independent work both inside and outside the classroom. The core required courses lay the groundwork for work across the disciplines (literature, writing, linguistics, theory) while “track” requirements allow students to pursue individual interests. In addition to coursework, students must demonstrate proficiency in a foreign language, complete a research component—thesis or degree paper(s), participate in colloquia, and take a comprehensive exam. MA Writing students must also submit a writing portfolio.

Success in a graduate program depends upon a careful balancing of your responsibilities as a student, researcher, “junior” colleague, and instructor (if awarded a GAship) in the Department of English. You should never focus on just one of these “responsibilities,” nor should you devote all your attention to just one program component/requirement at a time. All the requirements for the Master’s degree are designed to work together to help you gain “mastery” of your subject area. Core course requirements, preparation for comprehensive exams, and participation in colloquia, for example, help you gain a sense of the larger context or framework in which to place your specialization. While putting together a portfolio, or writing a thesis or degree papers, you will need to place your research interest in the context of the larger field you are working in.

1. Core and Track Course Requirements:

MA in English Core and Degree Requirements

One of the main benefits of our Master’s programs is that students take core courses that cover all the “English” disciplines represented by our different tracks. This helps students develop relationships across disciplines while also imparting a sense of and respect for all the fields of study represented by English departments. While a course may not cover your particular interests, it may allow you to understand those interests in a new light. For example, a composition theory course may help you develop a new way of approaching literary studies, a course on Postcolonial theory may inspire research in linguistics, a course on technical writing may allow you to revise notions of creative writing pedagogy. Having an open mind, an ability to develop new perspectives, and respect for different disciplines are the traits of successful graduate students.

MA English Core Requirements (18 hours); TESOL students, see note* below:

All students in the M.A. program in English must complete the following 18-hour core requirements:

Course(s)DescriptionHours
ENG 600Problems and Methods of Research in English3
ENG 510, 513, 541, 542, 543, 598, 644Early English Literature3
ENG 590, 592, 593, 595, 596, 598, 692,Linguistics3
ENG 610, 611, 612, 620, 625, 635, 644, 648, 657, 658, 680, 685, 686, 693Seminar3
ENG 525, 526, 585, 590, 592, 593, 595, 620, 621, 625, 681, 685, 686, 692, 693Theory Component6
Total18 hours

* As part of their core requirements, students who choose the graduate track in TESOL (Teaching English to Speakers of Other Languages) must complete the following courses:

ENG 592Sociolinguistics for Language Teaching3
ENG 595Principles of Second Language Acquisition3
ENG 596Materials and Assessment in TESOL3

MA in English Track Requirements:

The different tracks described below outline a minimum of 14 additional hours of graduate level course requirements and electives. Students should choose electives with an awareness that at least half the credit hours applied toward the 32-hour minimum must be in courses numbered 600 or above. The student must choose a program track before submitting an Advisor-Approved Program of Study.

Creative Writing Track Requirements:

ENG 500, 501, 503, 506, 608Advanced Writing6
ENG ---Electives in Literature, Linguistics, Theory, Writing2–3
ENG 699 or ENG 603, ENG 6-- and 2 degree papersThesis6
Total14–15 hours

Literature Requirements:

ENG ---Electives in Literature, Linguistics, Theory, Writing8–9
ENG 699 or ENG --- and ENG ---Thesis or alternative 600-level coursework (and 2 degree papers)6
Total14–15 hours

TESOL Track Requirements:

ENG 505 or ENG 597Methods in TESOL or Practicum in TESOL2–3
ENG 590 or ENG 593Grammatical Analysis or Studies in Linguistics3
ENG 692 or ENG 693Linguistics in Rhetoric and Composition or Seminar: Linguistics3
ENG 699 or ENG --- and ENG ---Thesis or Alternative 600-level course work (and 2 degree papers)6
Total14–15 hrs.

MA Writing Core Requirements (18 hours):

All students in the M.A. program in English must complete the following 18-hour core requirements. In addition, students specialize in their particular area of study by completing requirements in their track.

Course(s)DescriptionHours
ENG 600Problems and Methods of Research in English3
ENG 500Advanced Writing: Nonfiction3
ENG 526Modern Rhetorical Theory3
ENG 625Seminar: Rhetoric and Composition3
ENG ---One graduate-level linguistics course3
ENG ---One graduate-level literature course3
Total18 hours

MA in Writing Track Requirements:

The different tracks described below outline a minimum of 14 additional hours of graduate level course requirements and electives. Students should choose electives with an awareness that at least half the credit hours applied toward the 32-hour minimum must be in courses numbered 600 or above. The student must choose a program track before filing for submitting an advisor-approved study program.

Rhetoric and Composition Track Requirements:

ENG 525History of Rhetoric3
ENG 620Seminar: Composition Theory3
ENG 621Theory of Basic Writing3
ENG 699 or ENG --- and ENG ---Thesis or Electives in rhetorical theory, composition theory and pedagogy, linguistics/TESOL, technical/professional writing, creative writing, literature, or critical theory5–6
Total14–15 hours

Technical and Professional Writing Track Requirements:

Academic Option:

ENG 671 or ENG 675Professional Writing or Designing Technical Documents3
ENG 670Teaching of Technical and Professional Writing3
ENG 699Thesis6
ENG ---Elective in English or an approved cognate area2–3
Total14–15 hours

Professional Option:

ENG 671Professional Writing3
ENG 675Designing Technical Documents3
ENG 574Technical Writing Internship3
ENG 699 or ENG --- and ENG ---Thesis or Electives in English or an approved cognate area5–6
Total14–15 hours

2. Language Requirement:

Students seeking an MA in English or MA in Writing must demonstrate reading knowledge of one foreign language (usually French, German, Spanish, or Latin, although other languages relevant to a student’s specialized interest may be approved by the Graduate Director). Competency may be demonstrated in one of three ways*:

(a) completion of 12 hours of college study in one language with at least a “C” average;

(b) completion of the second intermediate college course with a grade of “C” or higher;

(c) passing a reading competency test administered by the Department of Modern and Classical Languages.

MA in Writing students have two additional options:

(d) completion of 6 additional hours in graduate-level linguistics courses (raising the student’s degree minimum to 38 hours);

(e) demonstrating proficiency in computer languages (12 hours minimum of undergraduate course work with at least a “C” average).

* Note: A student whose native language is not English will be considered to have met the language requirement.

3. Research Requirement:

To satisfy the research requirement, M.A. candidates will complete either a thesis or two degree papers (M.S. Ed. in English students can either complete a thesis or one degree paper).

Thesis: The thesis will ordinarily involve research on an original subject or an original approach to a subject. When appropriate, it may also be a creative work (see below). The thesis must be approved by a graduate faculty advisor and two faculty readers. Credit for the thesis (ENG 699), up to 6 hours, may apply to the minimum 32 hours required for the degree. See below for information on requesting permission to enroll in ENG 699.

The thesis is traditionally recommended for students considering doctoral work since it provides the opportunity for an extended exercise in independent research at the graduate level. Those considering the thesis option should, in their first semester, discuss possible thesis topics with the Graduate Director and faculty members whose research and teaching interests match the subject of the thesis. The Graduate College Website includes more information about thesis writing.

Creative Thesis

MA in English candidates in the creative writing track generally write a “creative thesis,” which may take the form of a collection of poetry, a novel, a novella, or a collection of short fiction. The creative thesis must be approved by a graduate faculty member who specializes in creative writing, and two readers.

Requesting ENG 699 hours: Students may request up to six hours of course credit for the thesis (ENG 699). To request permission to take thesis hours, a student must submit the following to the Graduate Director:

(a) A 1- to 2-page description of the thesis project and description of the work to be completed during the requested hours;

(b) Schedule of work including dates for turning in drafts, scheduled meetings with advisor and/or readers;

(c) Approval from the thesis advisor (in the form of a signature)

Submitting the thesis: One copy of the thesis which has been approved by the student’s committee must be submitted to the Graduate Office for review approximately two weeks before the end of the semester (see current Graduate Calendar for specific deadline). The “review” copy is a thesis in final form, not a working draft; however this copy does not need to be on bond paper. The GC will review this copy, making corrections regarding formatting. Along with the review copy, the student should submit, the Acceptance/Signature page (on bond paper) which includes original signatures of all members of the thesis committee. Also, the student must include the signed Student Checklist found on page 14-15 of the “Master Thesis Guide,” available from the Graduate College.

Once the thesis is reviewed by the Graduate College, the student will be asked to pick up the copy and will receive a memo outlining changes (if any) that need to be made. The student will have approximately two weeks following graduation (a specific date will be noted on the memo from the Graduate College) to make any requested corrections and submit final copies (on bond paper).

Degree Papers: A degree paper usually derives from a 600-level course for which a student writes a seminar paper. They may be critical, interpretive, or investigative studies of an original topic or an original treatment of a subject, based on primary sources. When appropriate, they may be creative works. The instructor of the course from which a degree paper emerges will serve as the degree paper advisor; the student should also seek advice from another faculty reader.

Submitting a degree paper: For those completing degree papers, submit the following:

(a) To the Graduate College: a Seminar Report form signed by the instructor (your advisor) of the course in which you developed your paper. Forms are available at: http://graduate.missouristate.edu (under “Forms”). The form must also be signed by both the degree paper advisor and the Department Head, Dr. Blackmon. or the Graduate Director.

And

(b) To the Graduate Director: a copy of the signed Seminar Report form and degree paper. Note: The Graduate College does not get a copy of your degree paper; these are kept in your Graduate file.

4. Colloquia:

Students are expected to attend and participate in academic and professional activities.

These may be scheduled by the department or may include university and community events (scholarly conferences, professional workshops, lectures, and presentations). The Graduate College lists on their Website, a schedule of appropriate workshops, lectures, and presentations. In addition, the Department of English and its faculty members will provide information on various colloquia on and off campus.

5. Comprehensive Exams:

Students should not wait until they submit questions to begin studying for the comprehensive exam. Instead, they should select their examination areas and begin preparing for the examination at the outset of their graduate course work. It is assumed that students will have taken course work in their chosen subject areas, and that preparation for the examination will supplement rather than replicate this course work. In other words, exam preparation involves independent as well as guided study.

The comprehensive exam for MA in English candidates consists of two two-hour essays. The exam for MS. Ed in English candidates consists of two one-hour essays. The exam for MA in Writing candidates consists of two 90-minute essays and an oral component. Each written answer is blindly evaluated by two graduate faculty readers in the department who are familiar with the subject area of the chosen question. Each answer is rated “high pass” or “pass” or “fail.” You need either a “high pass” or “pass” in both subject areas to pass the exam.

Comprehensive exams are offered three times a year, generally in October (Fall), March (Spring) and June (Summer). The exam will take place in the computer lab in Pummill on a Saturday (about a month before the thesis and degree papers due date for any given semester), beginning at 9:00 a.m.

Each fall and spring semester the application deadline to take the comprehensive examination occurs during the first week of the semester. For scheduling purposes, those applying for summer comprehensive exams will apply before the end of the previous spring semester (usually in May). To be eligible to take the comprehensive examination, students must submit (to the Director of Graduate Studies) the following by this deadline:

(a) “Comprehensive Examination Application/Results Form,” available at http://graduate.missouristate.edu/forms.htm (under “Program Forms” or directly as Word document or PDF format).

(b) List(s) of approved questions (MA in English and MS.Ed. students submit a list of questions for 2 subject areas);

(c)The “Proposed Comprehensive Exam Questions” form.

MA in English and MS Ed in English Comprehensive Exam Information:

General Description: The comprehensive examinations for the MA in English and the MS Ed. in English consist of two essay questions. For the MA in English exam, the student will write 2 two-hour essays; for t he MS. Ed. in English exam, the student will write 2 one-hour essays.

Subject Areas and Reading Lists: The comprehensive examination for the MA in English is based on reading lists that reflect the student’s particular interests and/or degree emphases. Each student will prepare for two examination subject areas, writing two two-hour essays. M.S. Ed in English students will prepare for two 1-hour exams. The examination subject areas include:

* Questions in these areas have been established; students should submit questions from the established lists. Students may only choose these areas if they have taken appropriate course work and/or with approval from the faculty coordinators of these areas. Students may ask to strike certain questions (within reason). To indicate this preference, the student will strike through the question (as opposed to deleting the question from the list).

The department maintains suggested reading lists for all the above-listed areas. These lists are only advisory aids, i.e., tools for starting a review of the period or area. They should not be taken as a closed set from which examination questions are to be formed. Students may also petition to develop their own reading lists in a subject area; in this case, they must work in close consultation with at least two sponsoring faculty members for each reading list. The lists will then be evaluated, revised, and ultimately approved or rejected by the English Graduate Committee.

Developing and Getting Approval for Lists of Questions: For each of the two chosen subject areas, the student will develop a list of at least 15 examination questions. These questions must be reviewed and approved by a graduate faculty member whose research and/or teaching interest(s) fall(s) within the chosen subject area (the faculty member will indicate approval by signing the “Proposed Comprehensive Exam Questions” form).* Keep in mind that the questions for each subject area should reflect the area broadly. They should not focus on a single author, century, genre, movement, or theory. For example, including questions only about the Harlem Renaissance for American Literature, After and Including 1900 is not broad enough.

* Note: TESOL/Linguistic students should consult Dr. Tina Biava

Narrowing Your Questions (What the Graduate Committee’s Role is in this process): The faculty members of the Graduate Committee will review each application and questions. From each list or subject area, they will choose three questions. At least two weeks before the exam, they will inform the student of the choices. Students should prepare to answer, on the day of the exam, the questions chosen by the Graduate Committee.

Exam Day: On the day of the exam, a student will be given one question from each area, randomly chosen by the Graduate Director. The student will have 2 hours to write each answer.

Essays may be written in longhand or typed on the computer. Students may not bring books or notes to the exam, and may not download any information from the computer, or from the Internet, or from a disk.

MA in Writing Comprehensive Exam Information:

General Description: The comprehensive examination for the MA in Writing is administered in two parts: written and oral.

I. Written Portion:

You will write two 90-minute essays.

“Track” or Subject Areas and Reading Lists: The comprehensive examination for the MA in Writing is not necessarily based on a list of suggested readings; instead, students should draw from works read for courses and while fulfilling the research requirement. The Department maintains a Master List of exam questions for each of the MA Writing “tracks”; these are available from the Graduate Director and from faculty who teach in the track areas. The “tracks” or subject areas are:

Developing and Getting Approval for Lists of Questions: Before applying to take comprehensive exams and submitting questions, a student must consult with faculty in the MA in Writing area. During this consultation, the faculty member will help a student determine the appropriateness of each question for the exam. You may ask to strike certain questions (within reason) in areas where you did not have course work. To indicate this, the student will strike through the question (as opposed to deleting the question from the list).

The faculty member will indicate approval of the questions by signing the “Proposed Comprehensive Exam Questions” form.

Narrowing Your Questions (What the Graduate Committee’s Role is in this process): The faculty members of the Graduate Committee will review the application and questions. From the list, they will choose two sets of three questions each. You will not be given the questions in advance. From each set of questions, you will choose one on which to write a 90-minute exam essay (thus, you’ll be writing two 90-minute essays).

Exam Day: On the day of your exam, you will receive two sets of three questions each. You will have 90 minutes to write each response.

You may write your essays in longhand or type them on the computer. You may not bring books or notes with you to the exam, and you may not download any information from the computer, or from the Internet, or from a disk.

II. Oral Portion:

The oral portion of the comprehensive exam will take at least 60 minutes. During the oral exam, the student will respond to questions related to the student’s portfolio. Questions will be asked by at least two faculty members, one who will chair the examination committee and another examiner. Both are selected by the student and must be approved by the Director of Graduate Studies (the Director may suggest an alternative examiner). The portfolio, a selection of the student’s best written work (which might include materials written outside of class), should be submitted to the student’s examination committee at least one week prior to the date of the oral examination.

The oral portion of the exam accomplishes the following basic goals:

  1. determines whether or not the candidate is a competent writer, which may be established by simply reading the portfolio in most cases; in other words, this may not need to be topic of discussion during the orals;
  2. allows discussion about how exceptional pieces within the portfolio might be revised for publication;
  3. encourages a self-assessment of the candidate’s strengths and weaknesses as a writer and how she or he might continue to develop as a writer.

Students are responsible for organizing and scheduling the oral portion of the exam. In consultation with approved faculty examiners, the student should arrange a convenient time for the exam (to take place before exam results are due in the Graduate College) and reserve the Emeritus office for the agreed-upon time (a folder for these reservations is kept in the main English Department office). After the exam, the chair of the orals committee will notify the Graduate Director of the results.

Financial Support and Opportunities

Graduate Assistantships

Graduate Assistantships (GAships) in English are awarded competitively to students accepted into any of the department’s graduate programs. First-year students are generally awarded a teaching assistantship and teach two sections of ENG 110. Graduate students do have the opportunity to teach other courses, including ENG 100, 203, 210, 215; however, these courses are reserved for returning GTAs or those with previous teaching experience. Courses are assigned based on: (a) teaching experience; (b) individual faculty recommendation; (c) Graduate Committee recommendation; (d) department need; and/or (e) whether or not an instructor has fulfilled a prerequisite for the teaching the course (for example, only GTAs who have taken ENG 621 may teach ENG 100). You may also divide your assistantship between teaching and other responsibilities like working in the Writing Center or ELI, as an assistant to the Director of Composition or Graduate Director, or as an editor/writer for Ozarks Watch. These positions depend upon need and usually require a separate interview. The Graduate College also keeps a list GAship opportunities across campus.

Applying for a GAship: Assistantships are awarded for an entire academic year starting in the Fall. Students interested in such assistantships are encouraged to complete their applications by February 15.

See Application Procedures and Materials for more information.

GAship Requirements: GAs are required to complete a minimum of 6 hours of graduate course work (500-level or above) during each semester of appointment and must maintain the minimum GPA required for Graduate School enrollment.

First-year Graduate Teaching Assistants (“GTAs”) must enroll in ENG 620 for the Fall semester and ENG 603 in both the Fall and Spring semesters. If your grade is below “C” in either ENG 620 or 603, you will be required to take the course(s) again. In addition, you may also become ineligible for a GAship.

Advising

Most graduate students will work with more than one faculty advisor. Upon entering a graduate program in the Department of English, students are advised by the Graduate Director who will help students design a program of study. The Director will also help students identify other faculty members who can serve as advisors in their primary area of interest or track (Creative Writing, Literature, Professional/Technical Writing, Rhetoric/Composition, TESOL/Linguistics) and with other program requirements (i.e. thesis, degree papers, comprehensive exams).

Advisor-Approved Program of Study: The Advisor-Approved Program of Study is a form listing all courses that will be used to fulfill degree requirements. A student should submit a Program of Study (“P of S”) form before 14 hours have been completed and will not be allowed to graduate unless the form has been filed with the Graduate College.

P of S forms are available online from the Graduate College (under “ Program Forms”). Before submitting a P of S to the Graduate College, it must be approved and signed by the Graduate Director or subject area/track coordinator.

Once the P of S form has been finalized and submitted, changes to it may be made by completing a Change of Advisor-Approved Program of Study form.

Faculty Teaching And Research Interests

Throughout the process of gaining your graduate degree, you will be working closely with faculty members. Below is a list of those who currently are involved at the graduate level. It is advisable to look for faculty with similar research interests to your own.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

James BaumlinBaumlin, James

Professor

Pummill 3G | 836-5109 | JBaumlin@MissouriState.edu

(Ph.D. in English, Brown); Renaissance and Seventeenth-century literature, History of Rhetoric, Critical Theory, Service Learning.


Tita BaumlinBaumlin, Tita

Professor

Pummill 209E | 836-4738 | TitaBaumlin@MissouriState.edu

(Ph.D. in English, Texas Christian University); Shakespeare; Renaissance Studies; British Drama and Literature.


Christina BiavaBiava, Tina

Professor

Pummill 209D | 836-5867 | CMBiava@MissouriState.edu

(Ph.D in Linguistics, University of Illinois, Urbana-Champaign); TESOL and Linguistics.


W.D. BlackmonBlackmon, W.D.

Professor and Department Head

Pummill 301 | 836-5107 | WDBlackmon@MissouriState.edu

(University of Denver); Creative Writing, Fiction.


William BurlingBurling, William

Professor

Pummill 106C | 836-4803 | WilliamBurling@MissouriState.edu

(Ph.D. in English, Pennsylvania State). Science Fiction and Fantasy Literature and Film, Utopian Studies, Contemporary Fiction and Drama. Early British and American Drama.


Michael BurnsBurns, Michael

Professor

Pummill 209G | 836-4484 | MBurns@MissouriState.edu

(M.F.A. University of Arkansas); Creative Writing, Poetry.


Lanette CadleCadle, Lanette

Assistant Professor

Pummill 3F | 836-5282 | LLCadle@MissouriState.edu

(M.F.A. in Creative Writing, Bowling Green State; Ph.D. in English/Rhetoric and Composition, Bowling Green State); Rhetoric and Composition, especially where those subjects intersect digital spaces.


Marcus CafagñaCafagña, Marcus

Associate Professor

Pummill 209C | 836-4793 | MarcusCafagna@MissouriState.edu

(M.F.A., Vermont College); Creative Writing, Poetry.


Matthew CalihmanCalihman, Matthew

Assistant Professor

Pummill 2B | 836-4891 | MatthewCalihman@MissouriState.edu

(Ph.D. in English, Washington University); African American Literature, Frankfort School Criticism.


Joel ChastonChaston, Joel

Distinguished Professor

Pummill 207B | 836-4798 | JoelChaston@MissouriState.edu

(Ph.D. in English, University of Utah); Literature for the Young, British Literature, especially Victorian.


Clark ClosserClosser, Clark

Professor

Pummill 209F | 836-4805 | ClarkClosser@MissouriState.edu

(Ph.D. in English, University of Arkansas); Nineteenth- and Twentieth-Century British and American Literature.


Michael EllisEllis, Michael

Professor

Pummill 209J | 836-4173 | MichaelEllis@MissouriState.edu

(Ph.D. in English, University of Kentucky); Old and Middle English Language and Literature, History of the English Language, and Dialects of Present-day English.


Keri FranklinFranklin, Keri

Assistant Professor

Pummill 1J | 836-3732 | KFranklin@MissouriState.edu

(A.B.D. in English Education; University of Missouri); English Education; Literacy; National and Ozarks Writing Project.


Lyn GattisGattis, Lyn

Assistant Professor

Pummill 4A | 836-5399 | LynGattis@MissouriState.edu

(Ph.D. in English, Oklahoma State University); Professional and Technical Writing.


Rachel GholsonGholson, Rachel

Associate Professor

Pummill 106A | 836-5180 | RGholson@MissouriState.edu

(Ph.D. in Folklore, Memorial University of New Foundland); Folklore.


Tim HadleyHadley, Tim

Assistant Professor

Pummill 4H | 836-5332 | THadley@MissouriState.edu

(A.B.D. in English, Texas Tech University); Technical and Professional Writing, Style in Writing, Rhetoric of Grammar, and Technical Editing.


Jane HoogestraatHoogestraat, Jane

Professor

Pummill 207A | 836-6613 | JHoogestraat@MissouriState.edu

(Ph.D. in English, University of Chicago); 20th Century Poetry, Literary Theory (including Gender studies, Ethics, and Aesthetics), and Creative Writing-poetry. Just published Winnowing Out Our Souls.


Judith JohnJohn, Judith

Professor

Pummill 106D | 836-4797 | JudithJohn@MissouriState.edu

(Ph.D. in English, Kansas State University); Literature for the Young (Children’s and Adolescent); George MacDonald, Renaissance Advice Books, Dragons, English Education, Service Learning.


Marianthe KaranikasKaranikas, Marianthe

Associate Professor

Pummill 4E | 836-5866 | Karanikas@MissouriState.edu

(A.B. in Biochemistry, Smith; M.A. in Biophysics, Brandeis; Ph.D. in Language, Literacy, and Rhetoric, University of Illinois, Chicago); Technical Writing and Communication, Rhetoric.


Etta MaddenMadden, Etta

Professor

Pummill 3D | 836-5422 | EttaMadden@MissouriState.edu

(Ph.D. in English, University of New Hampshire); Early American Literature, Cultural Studies, Autobiography, Food Studies, Literacy Theory, Religion and Literature, Science and Literature.


Linda Trinh MoserMoser, Linda Trinh

Associate Professor and Graduate Director

Pummill 1G | 836-6606 | LMoser@MissouriState.edu

(Ph.D. in English, University of California, Davis); American Literature and Culture, 1865-present, Asian American Writers, Feminist and Cultural Studies, Literature of the West.


Richard NeumannNeumann, Richard

Instructor

Pummill 404A | 836-6811 | RichardNeumann@MissouriState.edu

(Ph.D. in English, Florida State University); Creative Writing, Fiction; Crime Fiction and Film Noir; Postcolonial Literature and Theory; Modern European Literature, and Form and Theory of Prose.


Brian ShawverShawver, Brian

Assistant Professor

Pummill 209B | 836-5419 | Shawver@MissouriState.edu

(M.F.A., University of Iowa); Creative Writing, Fiction; Form and Theory of Prose


Yili ShiShi, Yili

Associate Professor

Pummill 209K | 836-4795 | YiliShi@MissouriState.edu

(Ph.D. in Applied Linguistics, minor in Rhetoric and Composition); Linguistics, TESOL Methods and Composition, Discourse Analysis.


Mark Trevor SmithSmith, Mark Trevor

Professor

(Ph.D. in English, SUNY Stony Brook); British Literature especially William Blake, Oral Tradition in Literature.

Pummill 205A | 836-4801 | MarkTrevorSmith@MissouriState.edu | www.marktrevorsmith.net


Michael StoweStowe, Michael

Instructor

Pummill 4J | 836-5167 | MichaelStowe@MissouriState.edu | www.michaelstowe.net

(M.A. in Writing, Missouri State University); Technical Writing; Writing with Technology; Writing for the Computer Industry.


Jean StringamStringam, Jean

Associate Professor

Pummill 106B | 836-5418 | JeanStringam@MissouriState.edu

(Ph.D. in English, University of Alberta); Literature for the Young (Children’s and Young Adult).


Kris SutliffSutliff, Kris

Assistant Department Head and Coordinator Technical and Professional Writing, Professor

To schedule appointments call 836-5107. | Pummill 4D | 836-4804 | KrisSutliff@MissouriState.edu

(Ph.D. in Professional Writing, Oklahoma State University); Professional and Technical Writing; Computer Documentation.


John TurnerTurner, John

Instructor and Editor, Ozarks Watch

Pummill 3J | 836-6608 | JohnRTurner@MissouriState.edu

(MA English, Missouri State University; completed coursework for a Ph.D. in English with an emphasis in technical writing, Oklahoma State University); Professional and Technical Writing; Regulatory Writing for Industry.


Margaret WeaverWeaver, Margaret

Professor

Pummill 4G | 836-5360 | MargaretWeaver@MissouriState.edu

(Ph.D. in Humanities, Specializing in Composition Theory and ESL, University of Texas, Arlington); Rhetorical Theory, Feminist Theory, and Composition Pedagogy.


Suggested Reading Lists:

I. TESOL and Linguistics

No changes from the 1996 list. Students may petition to write their own lists.

Students should be familiar with the contents of books listed below, in addition to texts studied in courses.

Bloomfield. Language

Chomsky. Aspects of a Theory of Syntax

Comrie. Language Universals and Linguistic Typology

Foss and Hakes. Psycholinguistics

Jeffers and Lehiste. Principles and Methods for Historical Linguistics

Ladefoged. A Course In Phonetics

Lightfoot. The Language Lottery; Toward a Biology of Grammars

Lyons. Introduction to Theoretical Linguistics

Matthews. Morphology

Newmeyer. Linguistic Theory in America

Palmer. Semantics

Petyt. The Study of Dialect

Sapir. Language

Saussure de. Course in General Linguistics

Strang. A History of English

Villiers, P. and J. de. Early Language

Wolfram and Fasold. The Study of Social Dialects of American English

Students should be familiar with the contents of books listed, in addition to texts studied in courses.

Second Language Acquisition

Brown. Principles of Language Learning and Language Teaching, 2nd ed.

Ellis. Understanding second Language Acquisition

Fishman. Reversing Language Shift

Grosjean. Life with Two Languages

Newmeyer. Linguistic Theory in America

____. The Politics of Linguistics

TESOL Content Areas

Calce-Murcia and Larsen-Freeman. The Grammar Book

Hammerly. An Integrated Theory of Language Teaching and Its Practical Consequences

Hughes. Testing for Language Teachers

McCarthy, M. Discourse Analysis for Language Teachers

Rivers. Speaking in Many Tongues: Essays in Foreign Language Teaching

Rutherford and Sharwood Smith. Grammar and Second Language Teaching

II. Critical Theory

This list has changed from the 1996 list. Students are responsible for the following list of classic texts and then for compiling a list of 20th Century literary theorists.

Plato. Republic Book 10, Ion

Aristotle. Poetics

Horace. The Art of Poetry

Longinus. On the Sublime

Sidney. Defence of Poesie

Dryden. Essay of Dramatic Poesie

Johnson. Preface to Shakespeare, “Life of Cowley,” Rasselas Chap.10

Wordsworth. Preface to Lyrical Ballads

Coleridge. Lectures on Shakespeare, Biographia Literaria XIII–XVII

Shelley. A Defence of Poetry

Keats. Letters to Bailey 22 Nov 1817, to brothers 22 Dec 1817, to Reynolds

19 Feb 1818, to Woodhouse 27 Oct 1818

Poe. “Philosophy of Composition,” “The Poetic Principle”

Emerson. “The Poet”

Arnold. “The Function of Criticism at the Present Time”

James “The Art of Fiction”

Eliot, T. S. “Tradition and the Individual Talent”

The essays listed above can be found in many anthologies of literary criticism, including:

Bate, W. J. Criticism: The Major Texts

Kaplan. Criticism: The Major Statements

Richter. The Critical Tradition:Classic Texts and Contemporary Trends

Smith and Parks. The Great Critics: An Anthology of Literary Criticism

III. Form and Theory of Poetry and Prose

No change from 1996 list. Students may petition to write their own lists.

Students should be familiar with the contents of books and articles listed below, in addition to texts studied, in courses.

Poetry

Fussell. Poetic Meter and Poetic Form

Holden. Style and Authenticity in Postmodern Poetry

Ostriker. Stealing the Language: The Emergence of Women’s Poetry in America

Perkins. A History of Modern Poetry: From the 1890s to the High Modernist Mode (Vol.1) — History of Modern Poetry: Modernism and After (Vol.2)

Pinsky. Poetry and the Word, esp. Part 1: “Poetry and the World,” “Poetry and Pleasure,” and “Responsibilities of the Poet”; Part II, “American Poetry and American Life”

Shapiro. “The New Formalism.” Critical Inquiry 14 (1987): 200–213.

Vendler. Introduction, The Harvard Book of Contemporary American Poetry

Williams. Patterns of Poetry

Fiction

Booth. The Rhetoric of Fiction

Forster. Aspects of the Novel

Gardner. The Art of Fiction

Halperin, ed. The Theory of the Novel: New Essays

Among secondary works in the theory of fiction, the following are particularly useful:

De Man. Allegories of Reading

Edel. The Future of the Novel: Essays on the Art of Fiction

Fiedler. Love and Death in the American Novel

James. The Art of the Novel

Lubbock. The Craft of Fiction

Lucacs. The Theory of the Novel

Miller. Narrative and Its Discontents: Problems of Closure in the Traditional Novel

Robbe-Grillet. For a New Novel: Essays on Fiction

Spilka. Towards a Poetics of Fiction

Todorov. The Poetics of Prose

Torgovnick. Closure in the Novel

Watt. The Rise of the Novel

IV. Rhetoric and Composition

This list has changed since 1996. Students may petition to make further changes.

M.A. in Writing students are reminded that their exams are tied directly to courses in the core and track areas, and that they should consult with M. A. in Writing Faculty in preparing for exams.

Classical Rhetoric

Bizzell and Herzberg, eds. The Rhetorical Tradition: Readings from Classical Times to the Present

Please Note: Students are expected to know about classical rhetoric and its possible applications to the teaching of composition; students should read Aristotle carefully and be familiar with works by Plato, Cicero, Quintilian, Ramus, Campbell, Perelman, and Toulmin.

Kennedy, G. Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times

Murphy, J. A Synoptic History of Classical Rhetoric

Discourse Theory

Crusius, T. Discourse: A Critique and Syn­thesis of Major Theories (Crusius provides an introduction and critique of theories developed by Kinneavy, Moffett, and D’Angelo)

Composition Theory

Bartholomae D. “Inventing the University.” In When a Writer Can’t Write, ed. Rose; 134–65

Berlin, J. Contemporary Composition: The Major Pedagogical Theories.” College English 44 (1982): 765–777 (Berlin updated this taxonomy of composition theory from a Marxist perspective in “Rhetoric and Ideology in the Writing Classroom,” College English 50 (1988): 477–94. North presents an alternate taxonomy in his Making of Knowledge)

Brooke, R. “Modeling a Writer’s Identity: Reading and Imitation in the Writing Classroom.” College Composition and Communication 39 (1988): 23–41

Ede and Lunsford. “Audience Addressed/Audience Invoked: The Role of Audience in Composition Theory and Pedagogy.” College Composition and Communication 35 (1984): 155–72

Elbow, P. “The Shifting Relationship between Speech and Writing.” College Composition and Communication 36 (1985): 283–303

Flower and Hayes. “A Cognitive Process Theory of Writing.” College Composition and Communication 31 (1981): 365–87

Freire, P. Pedagogy of the Oppressed. Trans. Myra Bergman Ramos. NY: Seaview, 1971.

Hartwell, P. “Grammar, Grammars, and the Teaching of Grammar.” College English 47 (1985): 105–27 (read in conjunction with Lazere)

Jensen and DiTiberio. “Personality and Individual Writing Processes.” College Composition & Communication 35 (1984): 285–300 (read in conjunction with Selzer)

Kent, T. “Paralogic Hermeneutics and the Possibilities of Rhetoric.” Rhetoric Review * (1989): 24–42.

Knoblauch and Brannon. Rhetorical Traditions and the Teaching of Writing

Lazere, D. “Back to Basics: A Force for oppression or Liberation?” College English 54 (1992): 7–21 read in conjunction with Hartwell)

Lu, M. “Conflict and Struggle: The Enemies or Preconditions of Basic Writing?” College English 54 (1992): 887–913

Miller, S. “The Feminization of Composition.” The Politics of Writing Instruction. Ed. Richard Bollock and John Trimbur. NH: Boynton/Cook, 1991. 39–54.

North, S. The Making of Knowledge in Composition

Trimbur, J. “Consensus and Difference in Collaborative Learning.” College English 51 (1989): 602–616.

Young, R. “Paradigms and Problems: Needed Research in  Rhetorical Invention.” Research on Composing: Points of Departure. Eds. Charles C. Cooper and Lee Odell. Urbana: NCTE, 1978. 29–48.

V. Technical and Professional Writing

Students should be familiar with the contents of books listed, in addition to texts studied in courses.

M. A. in Writing students are reminded that their exams are tied directly to courses in the core and track areas, and that they should consult with M. A. in Writing Faculty in preparing for exams.

Technical Writing Theory

Alred, Oliu, and Brusaw. The Professional Writer

Anderson, P. New Essays in Technical and Scientific Communication

Bazerman, Ch. Shaping Written Knowledge

Corbett, E. Classical Rhetoric for the Modern Student, 2nd ed.

Day, R. How to Write and Publish a Scientific Paper, 4th ed.

Gross, A. The Rhetoric of Science

Kinneavy, J. A Theory of Discourse

Nelson, Megill, Allan, and McLoskey, eds. The Rhetoric of the Human Sciences

Prelli, L. A Rhetoric of Science

Simons, H. , ed. The Rhetorical Turn

Williams T. Style: Ten Lessons in Clarity and Grace, 3rd ed.

Zook, L. Technical Editing

Scientific/Technical Literature

Aristotle. Rhetoric

Bacon. Essays

Darwin. The Origin of the Species

Einstein. Relativity

Gould. The Panda’s Thumb

Hawking. A Brief History of Time

Sagan. Dragons of Eden

Thomas. The Medusa and the Snail

Secondary works in scientific/technical literature include the following:

Brown, R. Prose Styles: Four Primary Types

Kuhn, T. The Structure of Scientific Revolutions

Taylor, P. A Short History of Science and Scientific Thought

Document Design

Brockmann, R. Writing Better Computer User Documentation

Felker, D.Guidelines for Document Designers

McKim, R. Experiences in Visual Thinking, 2nd ed.

Tufte, E. Visual Display of Quantitative Information

White, J. Words into Type, 3rd ed.

VI. British Literature, Before 1798

Students should be familiar with the following representative works. Most can be found in the Norton Anthology of English Literature, Volume One.

Beowulf, “The Dream of the Rood”

Chaucer. The Canterbury Tales: General Prologue, Tales of the Knight, Miller, Wife of Bath, Pardoner, Nun’s Priest, Sir Gawain and the Green Knight, Everyman, The Second Shepherd’s Play

Malory. Morte D’Arthur, esp. the death of Arthur

Middle English Ballads and Lyrics: “Sumer is i-cumen in,” “Sir Patrick Spens,” Alysoun,” “Western Wind,” “Now Sinks the Sun Beneath the Wood,” “I Sing of a Maiden,” “The Cuckoo Song”

Spenser. The Faerie Queen Book I

Shakespeare. Twelfth Night, Hamlet, The Tempest, I Henry IV, Sonnets 18, 29, 30, 73, 129, 146

Marlow. Dr. Faustus

Webster. The Duchess of Malfi

Sidney. Defence of Poesie

Jonson. Volpone, “To Penshurst,” “To the Memory of  . . . Shakespeare”

Donne. “The Good Morrow,” “The Canonization,” “A Valediction: Forbidding Mourning,” “The Ecstasy,” “Hymn to God My God, in My Sickness,” Holy Sonnets 7, 10, 14

Herrick. “Corinna’s Going a-Maying,” “To the Virgins,” “Upon Julia’s Clothes,” “Delight in Disorder.”

Herbert. “The Collar,” “The Pulley,” “The Altar,” “Easter Wings,” “Jordan (1)”

Marvell. “To His Coy Mistress,” “The Garden,” “An Horatian Ode Upon Cromwell’s Return From Ireland”

Vaughan. “The World”

Milton. “Lycidas,” Areopagitica, Paradise Lost I-III, IX

Dryden. “Mac Flecknoe,” “All for Love,” “Religio Laici,” “To the Pious Memory of . . . Anne Killigrew,” “Song for St. Cecilia’s Day”

Aphra Behn. The Rover, Part I

Defoe. Robinson Crusoe

Congreve. The Way of the World

Swift. Gulliver’s Travels, “A Modest Proposal,” “Verses on the Death of Dr. Swift”

Pope. An Essay of Criticism, An Essay on Man, The Rape of the Lock, Dunciad Book IV

Gay. Beggar’s Opera

Fielding. Joseph Andrews

Johnson. Preface to Shakespeare, “The Vanity of Human Wishes,” Rasselas

Stern. Tristam Shandy

Gray. “Elegy Written in a Country Churchyard”

Sheridan. The School for Scandal

Goldsmith. “The Deserted Village”

VII. British Literature, After and Including 1798

Students should be familiar with the following works, or others by the same authors. Excepting novels, most can be found in the Norton Anthology of English Literature, Volume Two.

Burns. “Tam O’Shanter,” “To a Mouse,” “Holy Willie’s Prayer”

Blake. Songs of Innocence and Experience, The Marriage of Heaven and Hell

Wollstonecraft. A Vindication of the Rights of Women, 2, 4

Wordsworth, W. “Lines Composed a Few Miles Above Tintern Abbey,” Preface to Lyrical Ballads, “I Wondered Lonely as a Cloud,” “Composed Upon Westminster Bridge,” “The World is Too Much With Us,” “Ode to Duty,” “Ode: Imitations of Immortality”

Coleridge. “The Rime of the Ancient Mariner,” “Kubla Khan,” “Cristabel,” “Dejection: An Ode,” Biographia Literaria XIII-XIV

Byron. Childe Harold’s Pilgrimage III, Don Juan I-II

Shelley. “Hymn to Intellectual Beauty,” “Ode to the West Wind,” Prometheus Unbound, A Defence of Poetry

Keats. “On . . . Chapman’s Homer,” “When I Have Fears,” “The Eve of St. Agnes,” “Upon . . . King Lear Once Again,” “Ode on a Grecian Urn,” “Ode to a Nightingale,” “Ode on Melancholy,” “To Autumn”

Austen. Pride and Prejudice

Bronte. Wuthering Heights

Dickens. Great Expectations

Tennyson. “Morte D’Arthur,” “Ulysses,” In Memoriam, A. H. H., “Crossing the Bar”

Browning. “My Last Duchess,” “Fra Lippo Lippi,” “Meeting at Night,” “Parting at Morning”

Arnold. “Dover Beach,” “The Scholar Gypsy,” “Stanzas from the Grande Chartreuse,” “Sweetness and Light” (from Culture and Anarchy)

G. Eliot. Middlemarch

Hopkins. “The Windhover,” “God’s Grandeur,” “Pied Beauty,” “Carrion Comfort”

Swinburne. “Hymn to Proserpine”

Hardy. Tess of the D’Urbervilles, “Hap,” “Neutral Tones,” “Channel Firing,” “The Convergence of the Twain”

Wilde. The Importance of Being Earnest, Preface to Dorian Gray

Shaw. Pygmalion

Conrad. Heart of Darkness

Owen. “Dulce et Decorum Est”

Yeats. “The Lake Isle of Innisfree,” “A Dialogue of Self and Soul,” “The Second Coming,” “Among School Children,” “Sailing to Byzantium,” “Leda and the Swan,” “Lapis Lazuli”

Lawrence. “Bavarian Gentians,” “Odor of Chrysanthemums,” “The Horse-Dealer’s Daughter”

Mansfield. “The Daughters of the Late Colonel”

Woolf. Mrs. Dalloway, “Shakespeare’s Sister”* (from A Room of One’s Own)

Joyce. Portrait of the Artist as a Young Man, “The Dead”

Forster. A Passage to India

Auden. “Musee des Beaux Arts,” “In Memory of W. B. Yeats”

Huxley. Brave New World

Thomas, D. “Fern Hill,” “Do Not Go Gentle Into That Good Night,” “A Refusal to Mourn the Death, By Fire, of a Child in London”

Greene. The Power and the Glory

Larkin. “Church Going,” “High Windows”

Heaney. “Digging,” “Punishment”

VIII. American Literature, Before 1900

This list has changed since 1996, and is designed to be a sample list. In a number of cases, the student should supply titles. Students may certainly petition to write their own lists.

Winthrop.

Bradford

Bradstreet. “The Author to Her Book”

Taylor. Preface to God’s Determinations, “Huswifery”

Edwards. “Personal Narrative,” “Sinners in the Hands of an Angry God”

Wheatley

Paine

Franklin. Autobiography

Cooper. The Prairie

Poe. “The Fall of the House of Usher,” “The Purloined Letter,” “To Helen,” “The Poetic Principle,” “The Philosophy of Composition”

Emerson. “Nature,” “The American Scholar,” “Self-Reliance”

Douglass

Hawthorne. The Scarlet Letter, “Young Goodman Brown”

Melville. Moby Dick

Thoreau. Walden, “Resistance to Civil Government”

Whitman. “Song of Myself,” “Out of the Cradle Endlessly Rocking,” “When Lilacs Last in the Dooryard Bloom’d”

Dickinson. (Johnson edition numbers) 49: “I never lost as much but . . . twice,” 67: “Success is counted sweetest,” 214: “I taste a liquor never brewed,” 241: “I like a look of agony,” 258: “There’s a certain slant of light,” 288. “I’m nobody! Who are you?” 303:* “The soul selects her own society,” 341: “After great pain a formal feeling comes,” 435: “Much madness in divinest Sense,” 441: “This is my letter to the world,” 449: “I died for Beauty—but was scarce,” 465: “I heard a fly buzz, then I died,” 712: “Because I could not stop for Death,” 986: “A narrow fellow in the grass,” 1078: “The Bustle in a House,” 1129: “Tell all the truth but tell it slant,” 1732: “My life closed twice before its close”

Twain. The Adventures of Huckleberry Finn, The Innocents Abroad

Howells. The Rise of Silas Lapham

Dreiser. Sister Carrie

DuBois

Washington

Chopin. The Awakening

Crane. The Red Badge of Courage

IX. American Literature, After and Including 1900

This list has changed since 1996. Students may petition to write their own lists.

Students should be familiar with the following works, or others by the same authors. Excepting novels, most can be found in the Norton Anthology of American Literature Volume Two, and the Heritage of American Literature.

James. The Ambassadors

Elliot. “The Love Song of J. Alfred Prufrock,” The Waste Land

Pound. “Hugh Selwyn Mauberley,” “The Seafarer”

H. D. The Walls Do Not Fall 1, 4, 5, 6, 8

Moore, M. “The Fish,” “Poetry”

Frost. “Directive,” “Birches,” “Mending Wall,” “The Road Not Taken,” “Acquainted With the Night,” “Design,” “Desert Places”

Stevens. “Sunday Morning,” “The Idea of Order at Key West,” “Anecdote of the Jar”

Williams, W. C. “Spring and All,” “Danse Russe,” “Tracts”

Fitzgerald. The Great Gatsby

Hemingway. The Sun Also Rises

Faulkner. The Sound and the Fury, Go Down, Moses

Steinbeck. The Grapes of Wrath

Welty. “Delta Wedding,” “Why I Live at the P. O.”

Porter. Noon Wine

McCullers. The Ballad of the Sad Café

Miller. Death of a Salesman

Williams, T. A Streetcar Named Desire

Lowell, R. “The Quaker Graveyard in Nantucket,” “Skunk Hour,” “For the Union Dead”

O’Connor. A Good Man is Hard to Find

Bishop, E. “The Fish”

Rich, A. “Aunt Jennifer’s Tigers,” “Living in Sin,” “Snapshots of a Daughter-in-Law,” “Diving into the Wreck,” “Upper Broadway,” “Grandmothers”

Barth. Lost in the Funhouse

Bellow. Seize the Day

Carver, R. “Cathedral”

Percy. The Moviegoer

Didion. Play It As It Lays

Pynchon. Crying of Lot 49

African-American Authors

Baldwin. Go Tell it on the Mountain

Ellison. Invisible Man

Hurston. Their Eyes Were Watching God

Angelou. I Know Why the Caged Bird Sings

Morrison. Beloved, Sula

Walker, Alice. The Color Purple

Brooks, G. “The Lovers of the Poor,” “The Anniad,” “The Defender Sends Its man to Little Rock”

Hughes. Collected Poems

Bontemps, ed. American Negro Poetry

Naylor, Gloria. Mama Day

Bambara. Gorilla, My Love

Wright. Black Boy

Ethnic-American Authors

Alvarez, Julia. How the Garcia Girls Lost Their Accents

Cisneros, Sandra. House on Mango Street

Dorris, Michael. Yellow Raft on Blue Water

Erdrich, Louise. Love Medicine

Jen, Gish. Typical American

Kingston, Maxine Hong. Woman Warrior

Momaday, N. Scott. The Way to Rainy Mountain

Tan, Amy. The Joy Luck Club

Yammauchi, Wakako. And the Soul Shall Dance

X. Children’s and Young Adult Literature

Students should be familiar with the following representative works.

Perrault, C. Selections from Tales of Mother Goose (1696)

Grimm, T. and W. Selections from Household Tales (1812)

Carroll, L. Alice’s Adventures in Wonderland (1865) and Through the Looking Glass (1871)

Alcott, L. M. Little Women, Parts 1 and 2 (1865)

MacDonald, At the Back of the North Wind (1871), The Princess and the Goblin (1872)

Twain, M. The Adventures of Tom Sawyer (1876)

Stevenson, R. L. A Child’s Garden of Verses (1888)

Baum, L. F. The Wonderful Wizard of Oz (1900)

Nesbit, S. Five Children and it (1902)

Potter, B. The Tale of Peter Rabbit (1902)

Grahame, K. The Wind in the Willows (1908)

Barrie, J. Peter Pan (1911)

Burnett, P. E. The Secret Garden (1911), A Little Princess (1905)

Tolkein, J. R. R.  The Hobbit (1939)

Wilder, L. I. Little House on the Prairie (1941)

White, E. B. Charlotte’s Web (1952)

Pearce, P. Tom’s Midnight Garden (1959)

L’Engle, M. A Wrinkle in Time (1962)

Sendak, M. Where the Wild Things Are (1963)

Fitzhugh, L. Harriet the Spy (1964)

Zindel, P. The Pigman (1968)

Fritz, J. Homesick (1972)

Cormier, R. The Chocolate War (1974)

Taylor, M. Roll of Thunder, Hear My Cry (1976)

Paterson, K. Bridge to Terabithia (1977)

Cleary, B. Dear Mr. Henshaw (1983)

Hamilton, V. , ed. The People Could Fly (1985)

Among secondary works in children’s and young adult literature, the following are particularly useful:

Frey, C. H. The Literary Heritage of Childhood: An Appraisal of Children’s Classics in Western Tradition (1987)

Nodelman, P. Touchstone: Reflections on the Best in Children’s Literature, Volume One (1985)

Townsend, J. Written for Children Rev. ed. (1992)