Department of English: Missouri State University
From Linda Trinh Moser, Director of Graduate Studies
Welcome to the graduate program in English at Missouri State University. We offer two Master of Arts degrees: the MA in English and in Writing, and help administer the Master of Science in Education with an emphasis in English. In addition, our department oversees two graduate certificate programs in Teaching English to Speakers of Other Languages (TESOL) and in Ozark Studies. Creative Writing, Literature, and TESOL are emphases or “tracks” within the MA in English program. The MA in Writing program offers tracks in Professional/Technical Writing and Rhetoric and Composition. Our programs serve students anticipating doctoral studies, those interested in careers in teaching at secondary schools or community colleges, professional writers, and those studying creative or expository writing. Students accepted into our programs are eligible to apply for assistantships in exchange for teaching courses in college composition. Advanced students are eligible to teach other subjects including creative writing, developmental writing, and literature; they may also assist faculty with research, editing, and/or writing projects. Graduate Assistantships come with fee waivers providing a full tuition and fee waiver and stipend.
Please explore our site and if you have any questions or need clarification on any of the information provided here, feel free to contact me at: EnglishGraduate@MissouriState.edu.
Dr. Linda Trinh Moser,
Director of Graduate Studies in English
Students in the M.A. in English program at Missouri State gain advanced skills in writing, critical reading, and analyzing language. Students also attain a broad, general knowledge of literature. Varying with students’ interests, the M.A. in English prepares graduates for doctoral study and for careers in writing, teaching, and other professions.
Students in the M.A. in Writing program at Missouri State study and develop research methods to teach writing and to practice writing in business and industry. Students also improve their professional writing skills and are trained to become effective writing teachers and successful professional writers. Students learn how to collaborate with area schools, businesses, and industries on issues related to written communication and literacy.
Students in the M.S. Ed. in English take courses in both the Education and English departments. This program provides teachers an opportunity to upgrade their preparation in both professional education and English subject matters.
One of the main benefits of our Master’s programs is that students take courses in all the “English” disciplines represented by our different tracks. This helps students develop relationships across disciplines while also imparting a sense of and respect for all the fields of study represented by English departments.
MA in English: To be considered for the MA in English program, candidates should have an undergraduate English degree (or similar course work),* with a minimum GPA of 3.0 overall, a minimum 3.0 in English course work beyond the freshman year, and a GRE verbal score in the fiftieth percentile or higher. As conditions of admission, applicants may be required to take extra courses to make up deficiencies (including weaknesses in writing) or they may have other requirements stipulated.
* Normally, a graduate student will have an undergraduate major in English (at least 30 hours beyond freshman composition, including course work in advanced composition, Shakespeare, and a broad coverage of British and American literature).
MA in Writing: To be considered for the MA in Writing program, candidates must have completed an undergraduate degree with a minimum overall GPA of 3.0 and achieved a GRE general verbal score in the fiftieth percentile or higher. Prospective students who lack extensive undergraduate preparation in English or in writing (the course work equivalent of an English minor) should submit a portfolio of writing samples in addition to other application materials.
MS Ed English: To be considered for the MS Ed English program, applicants must be certified or certifiable in English in the state of Missouri upon completion of the minimum 15 hours in English. Before beginning the MSEd English program, candidates should have completed (and attained a minimum 3.0 GPA in) at least one composition course beyond freshman level, one course in the English language, and 12 hours of survey or period courses in British and American literature.
To apply to English Graduate Programs, prospective students (non-international) need to submit materials to the Graduate College and to the Department of English. Prospective students should submit all necessary application materials at least two months before the start of the semester they wish to begin.
Submit the following to:
Graduate College
Missouri State University
901 South National Avenue
Springfield, Missouri 65897
1. A completed Graduate College Application, which can be found:
a. in the back of the Graduate Catalog;
b. online at http://graduate.missouristate.edu/forms.htm (either the Online Application or the printable PDF format);
c. in the Graduate College office, 306 Carrington Hall
2. A $35 non-refundable application fee.
3. Two sets of official transcripts showing all course work for the bachelor’s degree and any graduate-level courses. At minimum, the bachelor’s transcript must show the last 60 hours of course work or the necessary additional undergraduate transcripts are required. Missouri State University transcripts do not need to be requested. Note: transcripts are not considered official unless they are received directly from the institution where the course work was completed.
4. Graduate Record Exam (GRE) scores (not necessary for MS Ed in English candidates). Only the general scores are necessary.
In addition, submit the following to:
Graduate Director
Department of English
901 South National Avenue
Springfield, Missouri 65897
1. Personal Statement (a 200- to 250-word description of the reasons and goals behind your interest in English graduate studies).
2. Writing Sample (a 10–15 page critical paper in English that you have written). If you are interested in the Creative Writing track, you should also submit a creative writing sample (for example, 5–10 poems, a short story, or 10–20 pages from a novel).
3. At least two letters of recommendation (from individuals able to speak of the applicant’s academic achievements and potential).
4. Graduate Assistantship application if applicant wishes to be considered for this award. See section on “Graduate Teaching Assistantships.”
Due Date: To ensure consideration for a GAships, all application materials should be submitted by February 15.
International applicants may request application materials and instructions by:
Mail: International Student Services
Missouri State University
901 South National Avenue
Springfield, Missouri 65897Telephone: (417) 836–6618
Fax: (417) 836–7656
International applicants are required to submit the following:
1. All Graduate College and English Department Application Requirements (described above).
2. Verification of financial support in an amount determined by the University as stated in the application materials.
3. Complete academic record including proof of degree attained. The applicant must have completed all requirements that are equivalent to a U.D. baccalaureate degree in an accredited, licensed, or recognized college or university and have appropriate undergraduate training to pursue the graduate degree of their choice.
4. Applicants whose primary language is other than English are required to submit appropriate proof of English proficiency. See p. 33 of the Graduate College Handbook for information on exam scores that constitute proof.
Note: For applicants who do not meet the TOEFL or IELTS requirements, Missouri State University offers a full-time intensive English Language Institute on campus. An online application is available at http://ccpe.missouristate.edu/eli/.
Requirements for the MA in English, MA in Writing, and MS.Ed. in English include guided as well as independent work both inside and outside the classroom. The core required courses lay the groundwork for work across the disciplines (literature, writing, linguistics, theory) while “track” requirements allow students to pursue individual interests. In addition to coursework, students must demonstrate proficiency in a foreign language, complete a research component—thesis or degree paper(s), participate in colloquia, and take a comprehensive exam. MA Writing students must also submit a writing portfolio.
Success in a graduate program depends upon a careful balancing of your responsibilities as a student, researcher, “junior” colleague, and instructor (if awarded a GAship) in the Department of English. You should never focus on just one of these “responsibilities,” nor should you devote all your attention to just one program component/requirement at a time. All the requirements for the Master’s degree are designed to work together to help you gain “mastery” of your subject area. Core course requirements, preparation for comprehensive exams, and participation in colloquia, for example, help you gain a sense of the larger context or framework in which to place your specialization. While putting together a portfolio, or writing a thesis or degree papers, you will need to place your research interest in the context of the larger field you are working in.
One of the main benefits of our Master’s programs is that students take core courses that cover all the “English” disciplines represented by our different tracks. This helps students develop relationships across disciplines while also imparting a sense of and respect for all the fields of study represented by English departments. While a course may not cover your particular interests, it may allow you to understand those interests in a new light. For example, a composition theory course may help you develop a new way of approaching literary studies, a course on Postcolonial theory may inspire research in linguistics, a course on technical writing may allow you to revise notions of creative writing pedagogy. Having an open mind, an ability to develop new perspectives, and respect for different disciplines are the traits of successful graduate students.
All students in the M.A. program in English must complete the following 18-hour core requirements:
| Course(s) | Description | Hours |
|---|---|---|
| ENG 600 | Problems and Methods of Research in English | 3 |
| ENG 510, 513, 541, 542, 543, 598, 644 | Early English Literature | 3 |
| ENG 590, 592, 593, 595, 596, 598, 692, | Linguistics | 3 |
| ENG 610, 611, 612, 620, 625, 635, 644, 648, 657, 658, 680, 685, 686, 693 | Seminar | 3 |
| ENG 525, 526, 585, 590, 592, 593, 595, 620, 621, 625, 681, 685, 686, 692, 693 | Theory Component | 6 |
| Total | 18 hours | |
* As part of their core requirements, students who choose the graduate track in TESOL (Teaching English to Speakers of Other Languages) must complete the following courses:
| ENG 592 | Sociolinguistics for Language Teaching | 3 |
| ENG 595 | Principles of Second Language Acquisition | 3 |
| ENG 596 | Materials and Assessment in TESOL | 3 |
The different tracks described below outline a minimum of 14 additional hours of graduate level course requirements and electives. Students should choose electives with an awareness that at least half the credit hours applied toward the 32-hour minimum must be in courses numbered 600 or above. The student must choose a program track before submitting an Advisor-Approved Program of Study.
| ENG 500, 501, 503, 506, 608 | Advanced Writing | 6 |
| ENG --- | Electives in Literature, Linguistics, Theory, Writing | 2–3 |
| ENG 699 or ENG 603, ENG 6-- and 2 degree papers | Thesis | 6 |
| Total | 14–15 hours | |
| ENG --- | Electives in Literature, Linguistics, Theory, Writing | 8–9 |
| ENG 699 or ENG --- and ENG --- | Thesis or alternative 600-level coursework (and 2 degree papers) | 6 |
| Total | 14–15 hours | |
| ENG 505 or ENG 597 | Methods in TESOL or Practicum in TESOL | 2–3 |
| ENG 590 or ENG 593 | Grammatical Analysis or Studies in Linguistics | 3 |
| ENG 692 or ENG 693 | Linguistics in Rhetoric and Composition or Seminar: Linguistics | 3 |
| ENG 699 or ENG --- and ENG --- | Thesis or Alternative 600-level course work (and 2 degree papers) | 6 |
| Total | 14–15 hrs. | |
All students in the M.A. program in English must complete the following 18-hour core requirements. In addition, students specialize in their particular area of study by completing requirements in their track.
| Course(s) | Description | Hours |
|---|---|---|
| ENG 600 | Problems and Methods of Research in English | 3 |
| ENG 500 | Advanced Writing: Nonfiction | 3 |
| ENG 526 | Modern Rhetorical Theory | 3 |
| ENG 625 | Seminar: Rhetoric and Composition | 3 |
| ENG --- | One graduate-level linguistics course | 3 |
| ENG --- | One graduate-level literature course | 3 |
| Total | 18 hours | |
The different tracks described below outline a minimum of 14 additional hours of graduate level course requirements and electives. Students should choose electives with an awareness that at least half the credit hours applied toward the 32-hour minimum must be in courses numbered 600 or above. The student must choose a program track before filing for submitting an advisor-approved study program.
| ENG 525 | History of Rhetoric | 3 |
| ENG 620 | Seminar: Composition Theory | 3 |
| ENG 621 | Theory of Basic Writing | 3 |
| ENG 699 or ENG --- and ENG --- | Thesis or Electives in rhetorical theory, composition theory and pedagogy, linguistics/TESOL, technical/professional writing, creative writing, literature, or critical theory | 5–6 |
| Total | 14–15 hours | |
Academic Option:
| ENG 671 or ENG 675 | Professional Writing or Designing Technical Documents | 3 |
| ENG 670 | Teaching of Technical and Professional Writing | 3 |
| ENG 699 | Thesis | 6 |
| ENG --- | Elective in English or an approved cognate area | 2–3 |
| Total | 14–15 hours | |
Professional Option:
| ENG 671 | Professional Writing | 3 |
| ENG 675 | Designing Technical Documents | 3 |
| ENG 574 | Technical Writing Internship | 3 |
| ENG 699 or ENG --- and ENG --- | Thesis or Electives in English or an approved cognate area | 5–6 |
| Total | 14–15 hours | |
Students seeking an MA in English or MA in Writing must demonstrate reading knowledge of one foreign language (usually French, German, Spanish, or Latin, although other languages relevant to a student’s specialized interest may be approved by the Graduate Director). Competency may be demonstrated in one of three ways*:
(a) completion of 12 hours of college study in one language with at least a “C” average;
(b) completion of the second intermediate college course with a grade of “C” or higher;
(c) passing a reading competency test administered by the Department of Modern and Classical Languages.
MA in Writing students have two additional options:
(d) completion of 6 additional hours in graduate-level linguistics courses (raising the student’s degree minimum to 38 hours);
(e) demonstrating proficiency in computer languages (12 hours minimum of undergraduate course work with at least a “C” average).
* Note: A student whose native language is not English will be considered to have met the language requirement.
To satisfy the research requirement, M.A. candidates will complete either a thesis or two degree papers (M.S. Ed. in English students can either complete a thesis or one degree paper).
Thesis: The thesis will ordinarily involve research on an original subject or an original approach to a subject. When appropriate, it may also be a creative work (see below). The thesis must be approved by a graduate faculty advisor and two faculty readers. Credit for the thesis (ENG 699), up to 6 hours, may apply to the minimum 32 hours required for the degree. See below for information on requesting permission to enroll in ENG 699.
The thesis is traditionally recommended for students considering doctoral work since it provides the opportunity for an extended exercise in independent research at the graduate level. Those considering the thesis option should, in their first semester, discuss possible thesis topics with the Graduate Director and faculty members whose research and teaching interests match the subject of the thesis. The Graduate College Website includes more information about thesis writing.
Creative Thesis
MA in English candidates in the creative writing track generally write a “creative thesis,” which may take the form of a collection of poetry, a novel, a novella, or a collection of short fiction. The creative thesis must be approved by a graduate faculty member who specializes in creative writing, and two readers.
Requesting ENG 699 hours: Students may request up to six hours of course credit for the thesis (ENG 699). To request permission to take thesis hours, a student must submit the following to the Graduate Director:
(a) A 1- to 2-page description of the thesis project and description of the work to be completed during the requested hours;
(b) Schedule of work including dates for turning in drafts, scheduled meetings with advisor and/or readers;
(c) Approval from the thesis advisor (in the form of a signature)
Submitting the thesis: One copy of the thesis which has been approved by the student’s committee must be submitted to the Graduate Office for review approximately two weeks before the end of the semester (see current Graduate Calendar for specific deadline). The “review” copy is a thesis in final form, not a working draft; however this copy does not need to be on bond paper. The GC will review this copy, making corrections regarding formatting. Along with the review copy, the student should submit, the Acceptance/Signature page (on bond paper) which includes original signatures of all members of the thesis committee. Also, the student must include the signed Student Checklist found on page 14-15 of the “Master Thesis Guide,” available from the Graduate College.
Once the thesis is reviewed by the Graduate College, the student will be asked to pick up the copy and will receive a memo outlining changes (if any) that need to be made. The student will have approximately two weeks following graduation (a specific date will be noted on the memo from the Graduate College) to make any requested corrections and submit final copies (on bond paper).
Degree Papers: A degree paper usually derives from a 600-level course for which a student writes a seminar paper. They may be critical, interpretive, or investigative studies of an original topic or an original treatment of a subject, based on primary sources. When appropriate, they may be creative works. The instructor of the course from which a degree paper emerges will serve as the degree paper advisor; the student should also seek advice from another faculty reader.
Submitting a degree paper: For those completing degree papers, submit the following:
(a) To the Graduate College: a Seminar Report form signed by the instructor (your advisor) of the course in which you developed your paper. Forms are available at: http://graduate.missouristate.edu (under “Forms”). The form must also be signed by both the degree paper advisor and the Department Head, Dr. Blackmon. or the Graduate Director.
And
(b) To the Graduate Director: a copy of the signed Seminar Report form and degree paper. Note: The Graduate College does not get a copy of your degree paper; these are kept in your Graduate file.
Students are expected to attend and participate in academic and professional activities.
These may be scheduled by the department or may include university and community events (scholarly conferences, professional workshops, lectures, and presentations). The Graduate College lists on their Website, a schedule of appropriate workshops, lectures, and presentations. In addition, the Department of English and its faculty members will provide information on various colloquia on and off campus.
Students should not wait until they submit questions to begin studying for the comprehensive exam. Instead, they should select their examination areas and begin preparing for the examination at the outset of their graduate course work. It is assumed that students will have taken course work in their chosen subject areas, and that preparation for the examination will supplement rather than replicate this course work. In other words, exam preparation involves independent as well as guided study.
The comprehensive exam for MA in English candidates consists of two two-hour essays. The exam for MS. Ed in English candidates consists of two one-hour essays. The exam for MA in Writing candidates consists of two 90-minute essays and an oral component. Each written answer is blindly evaluated by two graduate faculty readers in the department who are familiar with the subject area of the chosen question. Each answer is rated “high pass” or “pass” or “fail.” You need either a “high pass” or “pass” in both subject areas to pass the exam.
Comprehensive exams are offered three times a year, generally in October (Fall), March (Spring) and June (Summer). The exam will take place in the computer lab in Pummill on a Saturday (about a month before the thesis and degree papers due date for any given semester), beginning at 9:00 A.M.
Each fall and spring semester the application deadline to take the comprehensive examination occurs during the first week of the semester. For scheduling purposes, those applying for summer comprehensive exams will apply before the end of the previous spring semester (usually in May). To be eligible to take the comprehensive examination, students must submit (to the Director of Graduate Studies) the following by this deadline:
(a) “Comprehensive Examination Application/Results Form,” available at http://graduate.missouristate.edu/forms.htm (under “Program Forms” or directly as Word document or PDF format).
(b) List(s) of approved questions (MA in English and MS.Ed. students submit a list of questions for 2 subject areas);
(c)The “Proposed Comprehensive Exam Questions” form.
General Description: The comprehensive examinations for the MA in English and the MS Ed. in English consist of two essay questions. For the MA in English exam, the student will write 2 two-hour essays; for t he MS. Ed. in English exam, the student will write 2 one-hour essays.
Subject Areas and Reading Lists: The comprehensive examination for the MA in English is based on reading lists that reflect the student’s particular interests and/or degree emphases. Each student will prepare for two examination subject areas, writing two two-hour essays. M.S. Ed in English students will prepare for two 1-hour exams. The examination subject areas include:
* Questions in these areas have been established; students should submit questions from the established lists. Students may only choose these areas if they have taken appropriate course work and/or with approval from the faculty coordinators of these areas. Students may ask to strike certain questions (within reason). To indicate this preference, the student will strike through the question (as opposed to deleting the question from the list).
The department maintains suggested reading lists for all the above-listed areas. These lists are only advisory aids, i.e., tools for starting a review of the period or area. They should not be taken as a closed set from which examination questions are to be formed. Students may also petition to develop their own reading lists in a subject area; in this case, they must work in close consultation with at least two sponsoring faculty members for each reading list. The lists will then be evaluated, revised, and ultimately approved or rejected by the English Graduate Committee.
Developing and Getting Approval for Lists of Questions: For each of the two chosen subject areas, the student will develop a list of at least 15 examination questions. These questions must be reviewed and approved by a graduate faculty member whose research and/or teaching interest(s) fall(s) within the chosen subject area (the faculty member will indicate approval by signing the “Proposed Comprehensive Exam Questions” form).* Keep in mind that the questions for each subject area should reflect the area broadly. They should not focus on a single author, century, genre, movement, or theory. For example, including questions only about the Harlem Renaissance for American Literature, After and Including 1900 is not broad enough.
* Note: TESOL/Linguistic students should consult Dr. Tina Biava
Narrowing Your Questions (What the Graduate Committee’s Role is in this process): The faculty members of the Graduate Committee will review each application and questions. From each list or subject area, they will choose three questions. At least two weeks before the exam, they will inform the student of the choices. Students should prepare to answer, on the day of the exam, the questions chosen by the Graduate Committee.
Exam Day: On the day of the exam, a student will be given one question from each area, randomly chosen by the Graduate Director. The student will have 2 hours to write each answer.
Essays may be written in longhand or typed on the computer. Students may not bring books or notes to the exam, and may not download any information from the computer, or from the Internet, or from a disk.
General Description: The comprehensive examination for the MA in Writing is administered in two parts: written and oral.
You will write two 90-minute essays.
“Track” or Subject Areas and Reading Lists: The comprehensive examination for the MA in Writing is not necessarily based on a list of suggested readings; instead, students should draw from works read for courses and while fulfilling the research requirement. The Department maintains a Master List of exam questions for each of the MA Writing “tracks”; these are available from the Graduate Director and from faculty who teach in the track areas. The “tracks” or subject areas are:
Developing and Getting Approval for Lists of Questions: Before applying to take comprehensive exams and submitting questions, a student must consult with faculty in the MA in Writing area. During this consultation, the faculty member will help a student determine the appropriateness of each question for the exam. You may ask to strike certain questions (within reason) in areas where you did not have course work. To indicate this, the student will strike through the question (as opposed to deleting the question from the list).
The faculty member will indicate approval of the questions by signing the “Proposed Comprehensive Exam Questions” form.
Narrowing Your Questions (What the Graduate Committee’s Role is in this process): The faculty members of the Graduate Committee will review the application and questions. From the list, they will choose two sets of three questions each. You will not be given the questions in advance. From each set of questions, you will choose one on which to write a 90-minute exam essay (thus, you’ll be writing two 90-minute essays).
Exam Day: On the day of your exam, you will receive two sets of three questions each. You will have 90 minutes to write each response.
You may write your essays in longhand or type them on the computer. You may not bring books or notes with you to the exam, and you may not download any information from the computer, or from the Internet, or from a disk.
The oral portion of the comprehensive exam will take at least 60 minutes. During the oral exam, the student will respond to questions related to the student’s portfolio. Questions will be asked by at least two faculty members, one who will chair the examination committee and another examiner. Both are selected by the student and must be approved by the Director of Graduate Studies (the Director may suggest an alternative examiner). The portfolio, a selection of the student’s best written work (which might include materials written outside of class), should be submitted to the student’s examination committee at least one week prior to the date of the oral examination.
The oral portion of the exam accomplishes the following basic goals:
Students are responsible for organizing and scheduling the oral portion of the exam. In consultation with approved faculty examiners, the student should arrange a convenient time for the exam (to take place before exam results are due in the Graduate College) and reserve the Emeritus office for the agreed-upon time (a folder for these reservations is kept in the main English Department office). After the exam, the chair of the orals committee will notify the Graduate Director of the results.
Graduate Assistantships (GAships) in English are awarded competitively to students accepted into any of the department’s graduate programs. First-year students are generally awarded a teaching assistantship and teach two sections of ENG 110. Graduate students do have the opportunity to teach other courses, including ENG 100, 203, 210, 215; however, these courses are reserved for returning GTAs or those with previous teaching experience. Courses are assigned based on: (a) teaching experience; (b) individual faculty recommendation; (c) Graduate Committee recommendation; (d) department need; and/or (e) whether or not an instructor has fulfilled a prerequisite for the teaching the course (for example, only GTAs who have taken ENG 621 may teach ENG 100). You may also divide your assistantship between teaching and other responsibilities like working in the Writing Center or ELI, as an assistant to the Director of Composition or Graduate Director, or as an editor/writer for Ozarks Watch. These positions depend upon need and usually require a separate interview. The Graduate College also keeps a list GAship opportunities across campus.
Applying for a GAship: Assistantships are awarded for an entire academic year starting in the Fall. Students interested in such assistantships are encouraged to complete their applications by February 15.
See Application Procedures and Materials for more information.
GAship Requirements: GAs are required to complete a minimum of 6 hours of graduate course work (500-level or above) during each semester of appointment and must maintain the minimum GPA required for Graduate School enrollment.
First-year Graduate Teaching Assistants (“GTAs”) must enroll in ENG 620 for the Fall semester and ENG 603 in both the Fall and Spring semesters. If your grade is below “C” in either ENG 620 or 603, you will be required to take the course(s) again. In addition, you may also become ineligible for a GAship.
Most graduate students will work with more than one faculty advisor. Upon entering a graduate program in the Department of English, students are advised by the Graduate Director who will help students design a program of study. The Director will also help students identify other faculty members who can serve as advisors in their primary area of interest or track (Creative Writing, Literature, Professional/Technical Writing, Rhetoric/Composition, TESOL/Linguistics) and with other program requirements (i.e. thesis, degree papers, comprehensive exams).
Advisor-Approved Program of Study: The Advisor-Approved Program of Study is a form listing all courses that will be used to fulfill degree requirements. A student should submit a Program of Study (“P of S”) form before 14 hours have been completed and will not be allowed to graduate unless the form has been filed with the Graduate College.
P of S forms are available online from the Graduate College (under “ Program Forms”). Before submitting a P of S to the Graduate College, it must be approved and signed by the Graduate Director or subject area/track coordinator.
Once the P of S form has been finalized and submitted, changes to it may be made by completing a Change of Advisor-Approved Program of Study form.
Throughout the process of gaining your graduate degree, you will be working closely with faculty members. Below is a list of those who currently are involved at the graduate level. It is advisable to look for faculty with similar research interests to your own.
Professor
Pummill 3G | 836-5109 | JBaumlin@MissouriState.edu
(Ph.D. in English, Brown); Renaissance and Seventeenth-century literature, History of Rhetoric, Critical Theory, Service Learning.
Professor
Pummill 209E | 836-4738 | TitaBaumlin@MissouriState.edu
(Ph.D. in English, Texas Christian University); Shakespeare; Renaissance Studies; British Drama and Literature.
Professor
Pummill 209D | 836-5867 | CMBiava@MissouriState.edu
(Ph.D in Linguistics, University of Illinois, Urbana-Champaign); TESOL and Linguistics.
Professor and Department Head
Pummill 301 | 836-5107 | WDBlackmon@MissouriState.edu
(University of Denver); Creative Writing, Fiction.
Professor
Pummill 106C | 836-4803 | WilliamBurling@MissouriState.edu
(Ph.D. in English, Pennsylvania State). Science Fiction and Fantasy Literature and Film, Utopian Studies, Contemporary Fiction and Drama. Early British and American Drama.
Professor
Pummill 209G | 836-4484 | MBurns@MissouriState.edu
(M.F.A. University of Arkansas); Creative Writing, Poetry.
Assistant Professor
Pummill 3F | 836-5282 | LLCadle@MissouriState.edu
(M.F.A. in Creative Writing, Bowling Green State; Ph.D. in English/Rhetoric and Composition, Bowling Green State); Rhetoric and Composition, especially where those subjects intersect digital spaces.
Associate Professor
Pummill 209C | 836-4793 | MarcusCafagna@MissouriState.edu
(M.F.A., Vermont College); Creative Writing, Poetry.
Calihman, Matthew
Assistant Professor
Pummill 2B | 836-4891 | MatthewCalihman@MissouriState.edu
(Ph.D. in English, Washington University); African American Literature, Frankfort School Criticism.
Distinguished Professor
Pummill 207B | 836-4798 | JoelChaston@MissouriState.edu
(Ph.D. in English, University of Utah); Literature for the Young, British Literature, especially Victorian.
Closser, Clark
Professor
Pummill 209F | 836-4805 | ClarkClosser@MissouriState.edu
(Ph.D. in English, University of Arkansas); Nineteenth- and Twentieth-Century British and American Literature.
Professor
Pummill 209J | 836-4173 | MichaelEllis@MissouriState.edu
(Ph.D. in English, University of Kentucky); Old and Middle English Language and Literature, History of the English Language, and Dialects of Present-day English.
Assistant Professor
Pummill 1J | 836-3732 | KFranklin@MissouriState.edu
(A.B.D. in English Education; University of Missouri); English Education; Literacy; National and Ozarks Writing Project.
Assistant Professor
Pummill 4A | 836-5399 | LynGattis@MissouriState.edu
(Ph.D. in English, Oklahoma State University); Professional and Technical Writing.
Associate Professor
Pummill 106A | 836-5180 | RGholson@MissouriState.edu
(Ph.D. in Folklore, Memorial University of New Foundland); Folklore.
Assistant Professor
Pummill 4H | 836-5332 | THadley@MissouriState.edu
(A.B.D. in English, Texas Tech University); Technical and Professional Writing, Style in Writing, Rhetoric of Grammar, and Technical Editing.
Professor
Pummill 207A | 836-6613 | JHoogestraat@MissouriState.edu
(Ph.D. in English, University of Chicago); 20th Century Poetry, Literary Theory (including Gender studies, Ethics, and Aesthetics), and Creative Writing-poetry. Just published Winnowing Out Our Souls.
Professor
Pummill 106D | 836-4797 | JudithJohn@MissouriState.edu
(Ph.D. in English, Kansas State University); Literature for the Young (Children’s and Adolescent); George MacDonald, Renaissance Advice Books, Dragons, English Education, Service Learning.
Associate Professor
Pummill 4E | 836-5866 | Karanikas@MissouriState.edu
(A.B. in Biochemistry, Smith; M.A. in Biophysics, Brandeis; Ph.D. in Language, Literacy, and Rhetoric, University of Illinois, Chicago); Technical Writing and Communication, Rhetoric.
Professor
Pummill 3D | 836-5422 | EttaMadden@MissouriState.edu
(Ph.D. in English, University of New Hampshire); Early American Literature, Cultural Studies, Autobiography, Food Studies, Literacy Theory, Religion and Literature, Science and Literature.
Associate Professor and Graduate Director
Pummill 1G | 836-6606 | LMoser@MissouriState.edu
(Ph.D. in English, University of California, Davis); American Literature and Culture, 1865-present, Asian American Writers, Feminist and Cultural Studies, Literature of the West.
Instructor
Pummill 404A | 836-6811 | RichardNeumann@MissouriState.edu
(Ph.D. in English, Florida State University); Creative Writing, Fiction; Crime Fiction and Film Noir; Postcolonial Literature and Theory; Modern European Literature, and Form and Theory of Prose.
Assistant Professor
Pummill 209B | 836-5419 | Shawver@MissouriState.edu
(M.F.A., University of Iowa); Creative Writing, Fiction; Form and Theory of Prose
Associate Professor
Pummill 209K | 836-4795 | YiliShi@MissouriState.edu
(Ph.D. in Applied Linguistics, minor in Rhetoric and Composition); Linguistics, TESOL Methods and Composition, Discourse Analysis.
Professor
(Ph.D. in English, SUNY Stony Brook); British Literature especially William Blake, Oral Tradition in Literature.
Pummill 205A | 836-4801 | MarkTrevorSmith@MissouriState.edu | www.marktrevorsmith.net
Instructor
Pummill 4J | 836-5167 | MichaelStowe@MissouriState.edu | www.michaelstowe.net
(M.A. in Writing, Missouri State University); Technical Writing; Writing with Technology; Writing for the Computer Industry.
Associate Professor
Pummill 106B | 836-5418 | JeanStringam@MissouriState.edu
(Ph.D. in English, University of Alberta); Literature for the Young (Children’s and Young Adult).
Assistant Department Head and Coordinator Technical and Professional Writing, Professor
To schedule appointments call 836-5107. | Pummill 4D | 836-4804 | KrisSutliff@MissouriState.edu
(Ph.D. in Professional Writing, Oklahoma State University); Professional and Technical Writing; Computer Documentation.
Instructor and Editor, Ozarks Watch
Pummill 3J | 836-6608 | JohnRTurner@MissouriState.edu
(MA English, Missouri State University; completed coursework for a Ph.D. in English with an emphasis in technical writing, Oklahoma State University); Professional and Technical Writing; Regulatory Writing for Industry.
Professor
Pummill 4G | 836-5360 | MargaretWeaver@MissouriState.edu
(Ph.D. in Humanities, Specializing in Composition Theory and ESL, University of Texas, Arlington); Rhetorical Theory, Feminist Theory, and Composition Pedagogy.
No changes from the 1996 list. Students may petition to write their own lists.
Students should be familiar with the contents of books listed below, in addition to texts studied in courses.
Bloomfield. Language
Chomsky. Aspects of a Theory of Syntax
Comrie. Language Universals and Linguistic Typology
Foss and Hakes. Psycholinguistics
Jeffers and Lehiste. Principles and Methods for Historical Linguistics
Ladefoged. A Course In Phonetics
Lightfoot. The Language Lottery; Toward a Biology of Grammars
Lyons. Introduction to Theoretical Linguistics
Matthews. Morphology
Newmeyer. Linguistic Theory in America
Palmer. Semantics
Petyt. The Study of Dialect
Sapir. Language
Saussure de. Course in General Linguistics
Strang. A History of English
Villiers, P. and J. de. Early Language
Wolfram and Fasold. The Study of Social Dialects of American English
Students should be familiar with the contents of books listed, in addition to texts studied in courses.
Brown. Principles of Language Learning and Language Teaching, 2nd ed.
Ellis. Understanding second Language Acquisition
Fishman. Reversing Language Shift
Grosjean. Life with Two Languages
Newmeyer. Linguistic Theory in America
____. The Politics of Linguistics
Calce-Murcia and Larsen-Freeman. The Grammar Book
Hammerly. An Integrated Theory of Language Teaching and Its Practical Consequences
Hughes. Testing for Language Teachers
McCarthy, M. Discourse Analysis for Language Teachers
Rivers. Speaking in Many Tongues: Essays in Foreign Language Teaching
Rutherford and Sharwood Smith. Grammar and Second Language Teaching
This list has changed from the 1996 list. Students are responsible for the following list of classic texts and then for compiling a list of 20th Century literary theorists.
Plato. Republic Book 10, Ion
Aristotle. Poetics
Horace. The Art of Poetry
Longinus. On the Sublime
Sidney. Defence of Poesie
Dryden. Essay of Dramatic Poesie
Johnson. Preface to Shakespeare, “Life of Cowley,” Rasselas Chap.10
Wordsworth. Preface to Lyrical Ballads
Coleridge. Lectures on Shakespeare, Biographia Literaria XIII–XVII
Shelley. A Defence of Poetry
Keats. Letters to Bailey 22 Nov 1817, to brothers 22 Dec 1817, to Reynolds
19 Feb 1818, to Woodhouse 27 Oct 1818
Poe. “Philosophy of Composition,” “The Poetic Principle”
Emerson. “The Poet”
Arnold. “The Function of Criticism at the Present Time”
James “The Art of Fiction”
Eliot, T. S. “Tradition and the Individual Talent”
The essays listed above can be found in many anthologies of literary criticism, including:
Bate, W. J. Criticism: The Major Texts
Kaplan. Criticism: The Major Statements
Richter. The Critical Tradition:Classic Texts and Contemporary Trends
Smith and Parks. The Great Critics: An Anthology of Literary Criticism
No change from 1996 list. Students may petition to write their own lists.
Students should be familiar with the contents of books and articles listed below, in addition to texts studied, in courses.
Fussell. Poetic Meter and Poetic Form
Holden. Style and Authenticity in Postmodern Poetry
Ostriker. Stealing the Language: The Emergence of Women’s Poetry in America
Perkins. A History of Modern Poetry: From the 1890s to the High Modernist Mode (Vol.1) — History of Modern Poetry: Modernism and After (Vol.2)
Pinsky. Poetry and the Word, esp. Part 1: “Poetry and the World,” “Poetry and Pleasure,” and “Responsibilities of the Poet”; Part II, “American Poetry and American Life”
Shapiro. “The New Formalism.” Critical Inquiry 14 (1987): 200–213.
Vendler. Introduction, The Harvard Book of Contemporary American Poetry
Williams. Patterns of Poetry
Booth. The Rhetoric of Fiction
Forster. Aspects of the Novel
Gardner. The Art of Fiction
Halperin, ed. The Theory of the Novel: New Essays
Among secondary works in the theory of fiction, the following are particularly useful:
De Man. Allegories of Reading
Edel. The Future of the Novel: Essays on the Art of Fiction
Fiedler. Love and Death in the American Novel
James. The Art of the Novel
Lubbock. The Craft of Fiction
Lucacs. The Theory of the Novel
Miller. Narrative and Its Discontents: Problems of Closure in the Traditional Novel
Robbe-Grillet. For a New Novel: Essays on Fiction
Spilka. Towards a Poetics of Fiction
Todorov. The Poetics of Prose
Torgovnick. Closure in the Novel
Watt. The Rise of the Novel
This list has changed since 1996. Students may petition to make further changes.
M.A. in Writing students are reminded that their exams are tied directly to courses in the core and track areas, and that they should consult with M. A. in Writing Faculty in preparing for exams.
Bizzell and Herzberg, eds. The Rhetorical Tradition: Readings from Classical Times to the Present
Please Note: Students are expected to know about classical rhetoric and its possible applications to the teaching of composition; students should read Aristotle carefully and be familiar with works by Plato, Cicero, Quintilian, Ramus, Campbell, Perelman, and Toulmin.
Kennedy, G. Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times
Murphy, J. A Synoptic History of Classical Rhetoric
Crusius, T. Discourse: A Critique and Synthesis of Major Theories (Crusius provides an introduction and critique of theories developed by Kinneavy, Moffett, and D’Angelo)
Bartholomae D. “Inventing the University.” In When a Writer Can’t Write, ed. Rose; 134–65
Berlin, J. “Contemporary Composition: The Major Pedagogical Theories.” College English 44 (1982): 765–777 (Berlin updated this taxonomy of composition theory from a Marxist perspective in “Rhetoric and Ideology in the Writing Classroom,” College English 50 (1988): 477–94. North presents an alternate taxonomy in his Making of Knowledge)
Brooke, R. “Modeling a Writer’s Identity: Reading and Imitation in the Writing Classroom.” College Composition and Communication 39 (1988): 23–41
Ede and Lunsford. “Audience Addressed/Audience Invoked: The Role of Audience in Composition Theory and Pedagogy.” College Composition and Communication 35 (1984): 155–72
Elbow, P. “The Shifting Relationship between Speech and Writing.” College Composition and Communication 36 (1985): 283–303
Flower and Hayes. “A Cognitive Process Theory of Writing.” College Composition and Communication 31 (1981): 365–87
Freire, P. Pedagogy of the Oppressed. Trans. Myra Bergman Ramos. NY: Seaview, 1971.
Hartwell, P. “Grammar, Grammars, and the Teaching of Grammar.” College English 47 (1985): 105–27 (read in conjunction with Lazere)
Jensen and DiTiberio. “Personality and Individual Writing Processes.” College Composition & Communication 35 (1984): 285–300 (read in conjunction with Selzer)
Kent, T. “Paralogic Hermeneutics and the Possibilities of Rhetoric.” Rhetoric Review * (1989): 24–42.
Knoblauch and Brannon. Rhetorical Traditions and the Teaching of Writing
Lazere, D. “Back to Basics: A Force for oppression or Liberation?” College English 54 (1992): 7–21 read in conjunction with Hartwell)
Lu, M. “Conflict and Struggle: The Enemies or Preconditions of Basic Writing?” College English 54 (1992): 887–913
Miller, S. “The Feminization of Composition.” The Politics of Writing Instruction. Ed. Richard Bollock and John Trimbur. NH: Boynton/Cook, 1991. 39–54.
North, S. The Making of Knowledge in Composition
Trimbur, J. “Consensus and Difference in Collaborative Learning.” College English 51 (1989): 602–616.
Young, R. “Paradigms and Problems: Needed Research in Rhetorical Invention.” Research on Composing: Points of Departure. Eds. Charles C. Cooper and Lee Odell. Urbana: NCTE, 1978. 29–48.
Students should be familiar with the contents of books listed, in addition to texts studied in courses.
M. A. in Writing students are reminded that their exams are tied directly to courses in the core and track areas, and that they should consult with M. A. in Writing Faculty in preparing for exams.
Alred, Oliu, and Brusaw. The Professional Writer
Anderson, P. New Essays in Technical and Scientific Communication
Bazerman, Ch. Shaping Written Knowledge
Corbett, E. Classical Rhetoric for the Modern Student, 2nd ed.
Day, R. How to Write and Publish a Scientific Paper, 4th ed.
Gross, A. The Rhetoric of Science
Kinneavy, J. A Theory of Discourse
Nelson, Megill, Allan, and McLoskey, eds. The Rhetoric of the Human Sciences
Prelli, L. A Rhetoric of Science
Simons, H. , ed. The Rhetorical Turn
Williams T. Style: Ten Lessons in Clarity and Grace, 3rd ed.
Zook, L. Technical Editing
Aristotle. Rhetoric
Bacon. Essays
Darwin. The Origin of the Species
Einstein. Relativity
Gould. The Panda’s Thumb
Hawking. A Brief History of Time
Sagan. Dragons of Eden
Thomas. The Medusa and the Snail
Secondary works in scientific/technical literature include the following:
Brown, R. Prose Styles: Four Primary Types
Kuhn, T. The Structure of Scientific Revolutions
Taylor, P. A Short History of Science and Scientific Thought
Brockmann, R. Writing Better Computer User Documentation
Felker, D.Guidelines for Document Designers
McKim, R. Experiences in Visual Thinking, 2nd ed.
Tufte, E. Visual Display of Quantitative Information
White, J. Words into Type, 3rd ed.
Students should be familiar with the following representative works. Most can be found in the Norton Anthology of English Literature, Volume One.
Beowulf, “The Dream of the Rood”
Chaucer. The Canterbury Tales: General Prologue, Tales of the Knight, Miller, Wife of Bath, Pardoner, Nun’s Priest, Sir Gawain and the Green Knight, Everyman, The Second Shepherd’s Play
Malory. Morte D’Arthur, esp. the death of Arthur
Middle English Ballads and Lyrics: “Sumer is i-cumen in,” “Sir Patrick Spens,” Alysoun,” “Western Wind,” “Now Sinks the Sun Beneath the Wood,” “I Sing of a Maiden,” “The Cuckoo Song”
Spenser. The Faerie Queen Book I
Shakespeare. Twelfth Night, Hamlet, The Tempest, I Henry IV, Sonnets 18, 29, 30, 73, 129, 146
Marlow. Dr. Faustus
Webster. The Duchess of Malfi
Sidney. Defence of Poesie
Jonson. Volpone, “To Penshurst,” “To the Memory of . . . Shakespeare”
Donne. “The Good Morrow,” “The Canonization,” “A Valediction: Forbidding Mourning,” “The Ecstasy,” “Hymn to God My God, in My Sickness,” Holy Sonnets 7, 10, 14
Herrick. “Corinna’s Going a-Maying,” “To the Virgins,” “Upon Julia’s Clothes,” “Delight in Disorder.”
Herbert. “The Collar,” “The Pulley,” “The Altar,” “Easter Wings,” “Jordan (1)”
Marvell. “To His Coy Mistress,” “The Garden,” “An Horatian Ode Upon Cromwell’s Return From Ireland”
Vaughan. “The World”
Milton. “Lycidas,” Areopagitica, Paradise Lost I-III, IX
Dryden. “Mac Flecknoe,” “All for Love,” “Religio Laici,” “To the Pious Memory of . . . Anne Killigrew,” “Song for St. Cecilia’s Day”
Aphra Behn. The Rover, Part I
Defoe. Robinson Crusoe
Congreve. The Way of the World
Swift. Gulliver’s Travels, “A Modest Proposal,” “Verses on the Death of Dr. Swift”
Pope. An Essay of Criticism, An Essay on Man, The Rape of the Lock, Dunciad Book IV
Gay. Beggar’s Opera
Fielding. Joseph Andrews
Johnson. Preface to Shakespeare, “The Vanity of Human Wishes,” Rasselas
Stern. Tristam Shandy
Gray. “Elegy Written in a Country Churchyard”
Sheridan. The School for Scandal
Goldsmith. “The Deserted Village”
Students should be familiar with the following works, or others by the same authors. Excepting novels, most can be found in the Norton Anthology of English Literature, Volume Two.
Burns. “Tam O’Shanter,” “To a Mouse,” “Holy Willie’s Prayer”
Blake. Songs of Innocence and Experience, The Marriage of Heaven and Hell
Wollstonecraft. A Vindication of the Rights of Women, 2, 4
Wordsworth, W. “Lines Composed a Few Miles Above Tintern Abbey,” Preface to Lyrical Ballads, “I Wondered Lonely as a Cloud,” “Composed Upon Westminster Bridge,” “The World is Too Much With Us,” “Ode to Duty,” “Ode: Imitations of Immortality”
Coleridge. “The Rime of the Ancient Mariner,” “Kubla Khan,” “Cristabel,” “Dejection: An Ode,” Biographia Literaria XIII-XIV
Byron. Childe Harold’s Pilgrimage III, Don Juan I-II
Shelley. “Hymn to Intellectual Beauty,” “Ode to the West Wind,” Prometheus Unbound, A Defence of Poetry
Keats. “On . . . Chapman’s Homer,” “When I Have Fears,” “The Eve of St. Agnes,” “Upon . . . King Lear Once Again,” “Ode on a Grecian Urn,” “Ode to a Nightingale,” “Ode on Melancholy,” “To Autumn”
Austen. Pride and Prejudice
Bronte. Wuthering Heights
Dickens. Great Expectations
Tennyson. “Morte D’Arthur,” “Ulysses,” In Memoriam, A. H. H., “Crossing the Bar”
Browning. “My Last Duchess,” “Fra Lippo Lippi,” “Meeting at Night,” “Parting at Morning”
Arnold. “Dover Beach,” “The Scholar Gypsy,” “Stanzas from the Grande Chartreuse,” “Sweetness and Light” (from Culture and Anarchy)
G. Eliot. Middlemarch
Hopkins. “The Windhover,” “God’s Grandeur,” “Pied Beauty,” “Carrion Comfort”
Swinburne. “Hymn to Proserpine”
Hardy. Tess of the D’Urbervilles, “Hap,” “Neutral Tones,” “Channel Firing,” “The Convergence of the Twain”
Wilde. The Importance of Being Earnest, Preface to Dorian Gray
Shaw. Pygmalion
Conrad. Heart of Darkness
Owen. “Dulce et Decorum Est”
Yeats. “The Lake Isle of Innisfree,” “A Dialogue of Self and Soul,” “The Second Coming,” “Among School Children,” “Sailing to Byzantium,” “Leda and the Swan,” “Lapis Lazuli”
Lawrence. “Bavarian Gentians,” “Odor of Chrysanthemums,” “The Horse-Dealer’s Daughter”
Mansfield. “The Daughters of the Late Colonel”
Woolf. Mrs. Dalloway, “Shakespeare’s Sister”* (from A Room of One’s Own)
Joyce. Portrait of the Artist as a Young Man, “The Dead”
Forster. A Passage to India
Auden. “Musee des Beaux Arts,” “In Memory of W. B. Yeats”
Huxley. Brave New World
Thomas, D. “Fern Hill,” “Do Not Go Gentle Into That Good Night,” “A Refusal to Mourn the Death, By Fire, of a Child in London”
Greene. The Power and the Glory
Larkin. “Church Going,” “High Windows”
Heaney. “Digging,” “Punishment”
This list has changed since 1996, and is designed to be a sample list. In a number of cases, the student should supply titles. Students may certainly petition to write their own lists.
Winthrop.
Bradford
Bradstreet. “The Author to Her Book”
Taylor. Preface to God’s Determinations, “Huswifery”
Edwards. “Personal Narrative,” “Sinners in the Hands of an Angry God”
Wheatley
Paine
Franklin. Autobiography
Cooper. The Prairie
Poe. “The Fall of the House of Usher,” “The Purloined Letter,” “To Helen,” “The Poetic Principle,” “The Philosophy of Composition”
Emerson. “Nature,” “The American Scholar,” “Self-Reliance”
Douglass
Hawthorne. The Scarlet Letter, “Young Goodman Brown”
Melville. Moby Dick
Thoreau. Walden, “Resistance to Civil Government”
Whitman. “Song of Myself,” “Out of the Cradle Endlessly Rocking,” “When Lilacs Last in the Dooryard Bloom’d”
Dickinson. (Johnson edition numbers) 49: “I never lost as much but . . . twice,” 67: “Success is counted sweetest,” 214: “I taste a liquor never brewed,” 241: “I like a look of agony,” 258: “There’s a certain slant of light,” 288. “I’m nobody! Who are you?” 303:* “The soul selects her own society,” 341: “After great pain a formal feeling comes,” 435: “Much madness in divinest Sense,” 441: “This is my letter to the world,” 449: “I died for Beauty—but was scarce,” 465: “I heard a fly buzz, then I died,” 712: “Because I could not stop for Death,” 986: “A narrow fellow in the grass,” 1078: “The Bustle in a House,” 1129: “Tell all the truth but tell it slant,” 1732: “My life closed twice before its close”
Twain. The Adventures of Huckleberry Finn, The Innocents Abroad
Howells. The Rise of Silas Lapham
Dreiser. Sister Carrie
DuBois
Washington
Chopin. The Awakening
Crane. The Red Badge of Courage
This list has changed since 1996. Students may petition to write their own lists.
Students should be familiar with the following works, or others by the same authors. Excepting novels, most can be found in the Norton Anthology of American Literature Volume Two, and the Heritage of American Literature.
James. The Ambassadors
Elliot. “The Love Song of J. Alfred Prufrock,” The Waste Land
Pound. “Hugh Selwyn Mauberley,” “The Seafarer”
H. D. The Walls Do Not Fall 1, 4, 5, 6, 8
Moore, M. “The Fish,” “Poetry”
Frost. “Directive,” “Birches,” “Mending Wall,” “The Road Not Taken,” “Acquainted With the Night,” “Design,” “Desert Places”
Stevens. “Sunday Morning,” “The Idea of Order at Key West,” “Anecdote of the Jar”
Williams, W. C. “Spring and All,” “Danse Russe,” “Tracts”
Fitzgerald. The Great Gatsby
Hemingway. The Sun Also Rises
Faulkner. The Sound and the Fury, Go Down, Moses
Steinbeck. The Grapes of Wrath
Welty. “Delta Wedding,” “Why I Live at the P. O.”
Porter. Noon Wine
McCullers. The Ballad of the Sad Café
Miller. Death of a Salesman
Williams, T. A Streetcar Named Desire
Lowell, R. “The Quaker Graveyard in Nantucket,” “Skunk Hour,” “For the Union Dead”
O’Connor. A Good Man is Hard to Find
Bishop, E. “The Fish”
Rich, A. “Aunt Jennifer’s Tigers,” “Living in Sin,” “Snapshots of a Daughter-in-Law,” “Diving into the Wreck,” “Upper Broadway,” “Grandmothers”
Barth. Lost in the Funhouse
Bellow. Seize the Day
Carver, R. “Cathedral”
Percy. The Moviegoer
Didion. Play It As It Lays
Pynchon. Crying of Lot 49
Baldwin. Go Tell it on the Mountain
Ellison. Invisible Man
Hurston. Their Eyes Were Watching God
Angelou. I Know Why the Caged Bird Sings
Morrison. Beloved, Sula
Walker, Alice. The Color Purple
Brooks, G. “The Lovers of the Poor,” “The Anniad,” “The Defender Sends Its man to Little Rock”
Hughes. Collected Poems
Bontemps, ed. American Negro Poetry
Naylor, Gloria. Mama Day
Bambara. Gorilla, My Love
Wright. Black Boy
Alvarez, Julia. How the Garcia Girls Lost Their Accents
Cisneros, Sandra. House on Mango Street
Dorris, Michael. Yellow Raft on Blue Water
Erdrich, Louise. Love Medicine
Jen, Gish. Typical American
Kingston, Maxine Hong. Woman Warrior
Momaday, N. Scott. The Way to Rainy Mountain
Tan, Amy. The Joy Luck Club
Yammauchi, Wakako. And the Soul Shall Dance
Students should be familiar with the following representative works.
Perrault, C. Selections from Tales of Mother Goose (1696)
Grimm, T. and W. Selections from Household Tales (1812)
Carroll, L. Alice’s Adventures in Wonderland (1865) and Through the Looking Glass (1871)
Alcott, L. M. Little Women, Parts 1 and 2 (1865)
MacDonald, At the Back of the North Wind (1871), The Princess and the Goblin (1872)
Twain, M. The Adventures of Tom Sawyer (1876)
Stevenson, R. L. A Child’s Garden of Verses (1888)
Baum, L. F. The Wonderful Wizard of Oz (1900)
Nesbit, S. Five Children and it (1902)
Potter, B. The Tale of Peter Rabbit (1902)
Grahame, K. The Wind in the Willows (1908)
Barrie, J. Peter Pan (1911)
Burnett, P. E. The Secret Garden (1911), A Little Princess (1905)
Tolkein, J. R. R. The Hobbit (1939)
Wilder, L. I. Little House on the Prairie (1941)
White, E. B. Charlotte’s Web (1952)
Pearce, P. Tom’s Midnight Garden (1959)
L’Engle, M. A Wrinkle in Time (1962)
Sendak, M. Where the Wild Things Are (1963)
Fitzhugh, L. Harriet the Spy (1964)
Zindel, P. The Pigman (1968)
Fritz, J. Homesick (1972)
Cormier, R. The Chocolate War (1974)
Taylor, M. Roll of Thunder, Hear My Cry (1976)
Paterson, K. Bridge to Terabithia (1977)
Cleary, B. Dear Mr. Henshaw (1983)
Hamilton, V. , ed. The People Could Fly (1985)
Among secondary works in children’s and young adult literature, the following are particularly useful:
Frey, C. H. The Literary Heritage of Childhood: An Appraisal of Children’s Classics in Western Tradition (1987)
Nodelman, P. Touchstone: Reflections on the Best in Children’s Literature, Volume One (1985)
Townsend, J. Written for Children Rev. ed. (1992)