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Suggested Reading Lists:

I. TESOL and Linguistics

No changes from the 1996 list. Students may petition to write their own lists.

Students should be familiar with the contents of books listed below, in addition to texts studied in courses.

Bloomfield. Language

Chomsky. Aspects of a Theory of Syntax

Comrie. Language Universals and Linguistic Typology

Foss and Hakes. Psycholinguistics

Jeffers and Lehiste. Principles and Methods for Historical Linguistics

Ladefoged. A Course In Phonetics

Lightfoot. The Language Lottery; Toward a Biology of Grammars

Lyons. Introduction to Theoretical Linguistics

Matthews. Morphology

Newmeyer. Linguistic Theory in America

Palmer. Semantics

Petyt. The Study of Dialect

Sapir. Language

Saussure de. Course in General Linguistics

Strang. A History of English

Villiers, P. and J. de. Early Language

Wolfram and Fasold. The Study of Social Dialects of American English

Students should be familiar with the contents of books listed, in addition to texts studied in courses.

Second Language Acquisition

Brown. Principles of Language Learning and Language Teaching, 2nd ed.

Ellis. Understanding second Language Acquisition

Fishman. Reversing Language Shift

Grosjean. Life with Two Languages

Newmeyer. Linguistic Theory in America

____. The Politics of Linguistics

TESOL Content Areas

Calce-Murcia and Larsen-Freeman. The Grammar Book

Hammerly. An Integrated Theory of Language Teaching and Its Practical Consequences

Hughes. Testing for Language Teachers

McCarthy, M. Discourse Analysis for Language Teachers

Rivers. Speaking in Many Tongues: Essays in Foreign Language Teaching

Rutherford and Sharwood Smith. Grammar and Second Language Teaching

II. Critical Theory

This list has changed from the 1996 list. Students are responsible for the following list of classic texts and then for compiling a list of 20th Century literary theorists.

Plato. Republic Book 10, Ion

Aristotle. Poetics

Horace. The Art of Poetry

Longinus. On the Sublime

Sidney. Defence of Poesie

Dryden. Essay of Dramatic Poesie

Johnson. Preface to Shakespeare, “Life of Cowley,” Rasselas Chap.10

Wordsworth. Preface to Lyrical Ballads

Coleridge. Lectures on Shakespeare, Biographia Literaria XIII–XVII

Shelley. A Defence of Poetry

Keats. Letters to Bailey 22 Nov 1817, to brothers 22 Dec 1817, to Reynolds

19 Feb 1818, to Woodhouse 27 Oct 1818

Poe. “Philosophy of Composition,” “The Poetic Principle”

Emerson. “The Poet”

Arnold. “The Function of Criticism at the Present Time”

James “The Art of Fiction”

Eliot, T. S. “Tradition and the Individual Talent”

The essays listed above can be found in many anthologies of literary criticism, including:

Bate, W. J. Criticism: The Major Texts

Kaplan. Criticism: The Major Statements

Richter. The Critical Tradition:Classic Texts and Contemporary Trends

Smith and Parks. The Great Critics: An Anthology of Literary Criticism

III. Form and Theory of Poetry and Prose

No change from 1996 list. Students may petition to write their own lists.

Students should be familiar with the contents of books and articles listed below, in addition to texts studied, in courses.

Poetry

Fussell. Poetic Meter and Poetic Form

Holden. Style and Authenticity in Postmodern Poetry

Ostriker. Stealing the Language: The Emergence of Women’s Poetry in America

Perkins. A History of Modern Poetry: From the 1890s to the High Modernist Mode (Vol.1) — History of Modern Poetry: Modernism and After (Vol.2)

Pinsky. Poetry and the Word, esp. Part 1: “Poetry and the World,” “Poetry and Pleasure,” and “Responsibilities of the Poet”; Part II, “American Poetry and American Life”

Shapiro. “The New Formalism.” Critical Inquiry 14 (1987): 200–213.

Vendler. Introduction, The Harvard Book of Contemporary American Poetry

Williams. Patterns of Poetry

Fiction

Booth. The Rhetoric of Fiction

Forster. Aspects of the Novel

Gardner. The Art of Fiction

Halperin, ed. The Theory of the Novel: New Essays

Among secondary works in the theory of fiction, the following are particularly useful:

De Man. Allegories of Reading

Edel. The Future of the Novel: Essays on the Art of Fiction

Fiedler. Love and Death in the American Novel

James. The Art of the Novel

Lubbock. The Craft of Fiction

Lucacs. The Theory of the Novel

Miller. Narrative and Its Discontents: Problems of Closure in the Traditional Novel

Robbe-Grillet. For a New Novel: Essays on Fiction

Spilka. Towards a Poetics of Fiction

Todorov. The Poetics of Prose

Torgovnick. Closure in the Novel

Watt. The Rise of the Novel

IV. Rhetoric and Composition

This list has changed since 1996. Students may petition to make further changes.

M.A. in Writing students are reminded that their exams are tied directly to courses in the core and track areas, and that they should consult with M. A. in Writing Faculty in preparing for exams.

Classical Rhetoric

Bizzell and Herzberg, eds. The Rhetorical Tradition: Readings from Classical Times to the Present

Please Note: Students are expected to know about classical rhetoric and its possible applications to the teaching of composition; students should read Aristotle carefully and be familiar with works by Plato, Cicero, Quintilian, Ramus, Campbell, Perelman, and Toulmin.

Kennedy, G. Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times

Murphy, J. A Synoptic History of Classical Rhetoric

Discourse Theory

Crusius, T. Discourse: A Critique and Syn­thesis of Major Theories (Crusius provides an introduction and critique of theories developed by Kinneavy, Moffett, and D’Angelo)

Composition Theory

Bartholomae D. “Inventing the University.” In When a Writer Can’t Write, ed. Rose; 134–65

Berlin, J. Contemporary Composition: The Major Pedagogical Theories.” College English 44 (1982): 765–777 (Berlin updated this taxonomy of composition theory from a Marxist perspective in “Rhetoric and Ideology in the Writing Classroom,” College English 50 (1988): 477–94. North presents an alternate taxonomy in his Making of Knowledge)

Brooke, R. “Modeling a Writer’s Identity: Reading and Imitation in the Writing Classroom.” College Composition and Communication 39 (1988): 23–41

Ede and Lunsford. “Audience Addressed/Audience Invoked: The Role of Audience in Composition Theory and Pedagogy.” College Composition and Communication 35 (1984): 155–72

Elbow, P. “The Shifting Relationship between Speech and Writing.” College Composition and Communication 36 (1985): 283–303

Flower and Hayes. “A Cognitive Process Theory of Writing.” College Composition and Communication 31 (1981): 365–87

Freire, P. Pedagogy of the Oppressed. Trans. Myra Bergman Ramos. NY: Seaview, 1971.

Hartwell, P. “Grammar, Grammars, and the Teaching of Grammar.” College English 47 (1985): 105–27 (read in conjunction with Lazere)

Jensen and DiTiberio. “Personality and Individual Writing Processes.” College Composition & Communication 35 (1984): 285–300 (read in conjunction with Selzer)

Kent, T. “Paralogic Hermeneutics and the Possibilities of Rhetoric.” Rhetoric Review * (1989): 24–42.

Knoblauch and Brannon. Rhetorical Traditions and the Teaching of Writing

Lazere, D. “Back to Basics: A Force for oppression or Liberation?” College English 54 (1992): 7–21 read in conjunction with Hartwell)

Lu, M. “Conflict and Struggle: The Enemies or Preconditions of Basic Writing?” College English 54 (1992): 887–913

Miller, S. “The Feminization of Composition.” The Politics of Writing Instruction. Ed. Richard Bollock and John Trimbur. NH: Boynton/Cook, 1991. 39–54.

North, S. The Making of Knowledge in Composition

Trimbur, J. “Consensus and Difference in Collaborative Learning.” College English 51 (1989): 602–616.

Young, R. “Paradigms and Problems: Needed Research in  Rhetorical Invention.” Research on Composing: Points of Departure. Eds. Charles C. Cooper and Lee Odell. Urbana: NCTE, 1978. 29–48.

V. Technical and Professional Writing

Students should be familiar with the contents of books listed, in addition to texts studied in courses.

M. A. in Writing students are reminded that their exams are tied directly to courses in the core and track areas, and that they should consult with M. A. in Writing Faculty in preparing for exams.

Technical Writing Theory

Alred, Oliu, and Brusaw. The Professional Writer

Anderson, P. New Essays in Technical and Scientific Communication

Bazerman, Ch. Shaping Written Knowledge

Corbett, E. Classical Rhetoric for the Modern Student, 2nd ed.

Day, R. How to Write and Publish a Scientific Paper, 4th ed.

Gross, A. The Rhetoric of Science

Kinneavy, J. A Theory of Discourse

Nelson, Megill, Allan, and McLoskey, eds. The Rhetoric of the Human Sciences

Prelli, L. A Rhetoric of Science

Simons, H. , ed. The Rhetorical Turn

Williams T. Style: Ten Lessons in Clarity and Grace, 3rd ed.

Zook, L. Technical Editing

Scientific/Technical Literature

Aristotle. Rhetoric

Bacon. Essays

Darwin. The Origin of the Species

Einstein. Relativity

Gould. The Panda’s Thumb

Hawking. A Brief History of Time

Sagan. Dragons of Eden

Thomas. The Medusa and the Snail

Secondary works in scientific/technical literature include the following:

Brown, R. Prose Styles: Four Primary Types

Kuhn, T. The Structure of Scientific Revolutions

Taylor, P. A Short History of Science and Scientific Thought

Document Design

Brockmann, R. Writing Better Computer User Documentation

Felker, D.Guidelines for Document Designers

McKim, R. Experiences in Visual Thinking, 2nd ed.

Tufte, E. Visual Display of Quantitative Information

White, J. Words into Type, 3rd ed.

VI. British Literature, Before 1798

Students should be familiar with the following representative works. Most can be found in the Norton Anthology of English Literature, Volume One.

Beowulf, “The Dream of the Rood”

Chaucer. The Canterbury Tales: General Prologue, Tales of the Knight, Miller, Wife of Bath, Pardoner, Nun’s Priest, Sir Gawain and the Green Knight, Everyman, The Second Shepherd’s Play

Malory. Morte D’Arthur, esp. the death of Arthur

Middle English Ballads and Lyrics: “Sumer is i-cumen in,” “Sir Patrick Spens,” Alysoun,” “Western Wind,” “Now Sinks the Sun Beneath the Wood,” “I Sing of a Maiden,” “The Cuckoo Song”

Spenser. The Faerie Queen Book I

Shakespeare. Twelfth Night, Hamlet, The Tempest, I Henry IV, Sonnets 18, 29, 30, 73, 129, 146

Marlow. Dr. Faustus

Webster. The Duchess of Malfi

Sidney. Defence of Poesie

Jonson. Volpone, “To Penshurst,” “To the Memory of  . . . Shakespeare”

Donne. “The Good Morrow,” “The Canonization,” “A Valediction: Forbidding Mourning,” “The Ecstasy,” “Hymn to God My God, in My Sickness,” Holy Sonnets 7, 10, 14

Herrick. “Corinna’s Going a-Maying,” “To the Virgins,” “Upon Julia’s Clothes,” “Delight in Disorder.”

Herbert. “The Collar,” “The Pulley,” “The Altar,” “Easter Wings,” “Jordan (1)”

Marvell. “To His Coy Mistress,” “The Garden,” “An Horatian Ode Upon Cromwell’s Return From Ireland”

Vaughan. “The World”

Milton. “Lycidas,” Areopagitica, Paradise Lost I-III, IX

Dryden. “Mac Flecknoe,” “All for Love,” “Religio Laici,” “To the Pious Memory of . . . Anne Killigrew,” “Song for St. Cecilia’s Day”

Aphra Behn. The Rover, Part I

Defoe. Robinson Crusoe

Congreve. The Way of the World

Swift. Gulliver’s Travels, “A Modest Proposal,” “Verses on the Death of Dr. Swift”

Pope. An Essay of Criticism, An Essay on Man, The Rape of the Lock, Dunciad Book IV

Gay. Beggar’s Opera

Fielding. Joseph Andrews

Johnson. Preface to Shakespeare, “The Vanity of Human Wishes,” Rasselas

Stern. Tristam Shandy

Gray. “Elegy Written in a Country Churchyard”

Sheridan. The School for Scandal

Goldsmith. “The Deserted Village”

VII. British Literature, After and Including 1798

Students should be familiar with the following works, or others by the same authors. Excepting novels, most can be found in the Norton Anthology of English Literature, Volume Two.

Burns. “Tam O’Shanter,” “To a Mouse,” “Holy Willie’s Prayer”

Blake. Songs of Innocence and Experience, The Marriage of Heaven and Hell

Wollstonecraft. A Vindication of the Rights of Women, 2, 4

Wordsworth, W. “Lines Composed a Few Miles Above Tintern Abbey,” Preface to Lyrical Ballads, “I Wondered Lonely as a Cloud,” “Composed Upon Westminster Bridge,” “The World is Too Much With Us,” “Ode to Duty,” “Ode: Imitations of Immortality”

Coleridge. “The Rime of the Ancient Mariner,” “Kubla Khan,” “Cristabel,” “Dejection: An Ode,” Biographia Literaria XIII-XIV

Byron. Childe Harold’s Pilgrimage III, Don Juan I-II

Shelley. “Hymn to Intellectual Beauty,” “Ode to the West Wind,” Prometheus Unbound, A Defence of Poetry

Keats. “On . . . Chapman’s Homer,” “When I Have Fears,” “The Eve of St. Agnes,” “Upon . . . King Lear Once Again,” “Ode on a Grecian Urn,” “Ode to a Nightingale,” “Ode on Melancholy,” “To Autumn”

Austen. Pride and Prejudice

Bronte. Wuthering Heights

Dickens. Great Expectations

Tennyson. “Morte D’Arthur,” “Ulysses,” In Memoriam, A. H. H., “Crossing the Bar”

Browning. “My Last Duchess,” “Fra Lippo Lippi,” “Meeting at Night,” “Parting at Morning”

Arnold. “Dover Beach,” “The Scholar Gypsy,” “Stanzas from the Grande Chartreuse,” “Sweetness and Light” (from Culture and Anarchy)

G. Eliot. Middlemarch

Hopkins. “The Windhover,” “God’s Grandeur,” “Pied Beauty,” “Carrion Comfort”

Swinburne. “Hymn to Proserpine”

Hardy. Tess of the D’Urbervilles, “Hap,” “Neutral Tones,” “Channel Firing,” “The Convergence of the Twain”

Wilde. The Importance of Being Earnest, Preface to Dorian Gray

Shaw. Pygmalion

Conrad. Heart of Darkness

Owen. “Dulce et Decorum Est”

Yeats. “The Lake Isle of Innisfree,” “A Dialogue of Self and Soul,” “The Second Coming,” “Among School Children,” “Sailing to Byzantium,” “Leda and the Swan,” “Lapis Lazuli”

Lawrence. “Bavarian Gentians,” “Odor of Chrysanthemums,” “The Horse-Dealer’s Daughter”

Mansfield. “The Daughters of the Late Colonel”

Woolf. Mrs. Dalloway, “Shakespeare’s Sister”* (from A Room of One’s Own)

Joyce. Portrait of the Artist as a Young Man, “The Dead”

Forster. A Passage to India

Auden. “Musee des Beaux Arts,” “In Memory of W. B. Yeats”

Huxley. Brave New World

Thomas, D. “Fern Hill,” “Do Not Go Gentle Into That Good Night,” “A Refusal to Mourn the Death, By Fire, of a Child in London”

Greene. The Power and the Glory

Larkin. “Church Going,” “High Windows”

Heaney. “Digging,” “Punishment”

VIII. American Literature, Before 1900

This list has changed since 1996, and is designed to be a sample list. In a number of cases, the student should supply titles. Students may certainly petition to write their own lists.

Winthrop.

Bradford

Bradstreet. “The Author to Her Book”

Taylor. Preface to God’s Determinations, “Huswifery”

Edwards. “Personal Narrative,” “Sinners in the Hands of an Angry God”

Wheatley

Paine

Franklin. Autobiography

Cooper. The Prairie

Poe. “The Fall of the House of Usher,” “The Purloined Letter,” “To Helen,” “The Poetic Principle,” “The Philosophy of Composition”

Emerson. “Nature,” “The American Scholar,” “Self-Reliance”

Douglass

Hawthorne. The Scarlet Letter, “Young Goodman Brown”

Melville. Moby Dick

Thoreau. Walden, “Resistance to Civil Government”

Whitman. “Song of Myself,” “Out of the Cradle Endlessly Rocking,” “When Lilacs Last in the Dooryard Bloom’d”

Dickinson. (Johnson edition numbers) 49: “I never lost as much but . . . twice,” 67: “Success is counted sweetest,” 214: “I taste a liquor never brewed,” 241: “I like a look of agony,” 258: “There’s a certain slant of light,” 288. “I’m nobody! Who are you?” 303:* “The soul selects her own society,” 341: “After great pain a formal feeling comes,” 435: “Much madness in divinest Sense,” 441: “This is my letter to the world,” 449: “I died for Beauty—but was scarce,” 465: “I heard a fly buzz, then I died,” 712: “Because I could not stop for Death,” 986: “A narrow fellow in the grass,” 1078: “The Bustle in a House,” 1129: “Tell all the truth but tell it slant,” 1732: “My life closed twice before its close”

Twain. The Adventures of Huckleberry Finn, The Innocents Abroad

Howells. The Rise of Silas Lapham

Dreiser. Sister Carrie

DuBois

Washington

Chopin. The Awakening

Crane. The Red Badge of Courage

IX. American Literature, After and Including 1900

This list has changed since 1996. Students may petition to write their own lists.

Students should be familiar with the following works, or others by the same authors. Excepting novels, most can be found in the Norton Anthology of American Literature Volume Two, and the Heritage of American Literature.

James. The Ambassadors

Elliot. “The Love Song of J. Alfred Prufrock,” The Waste Land

Pound. “Hugh Selwyn Mauberley,” “The Seafarer”

H. D. The Walls Do Not Fall 1, 4, 5, 6, 8

Moore, M. “The Fish,” “Poetry”

Frost. “Directive,” “Birches,” “Mending Wall,” “The Road Not Taken,” “Acquainted With the Night,” “Design,” “Desert Places”

Stevens. “Sunday Morning,” “The Idea of Order at Key West,” “Anecdote of the Jar”

Williams, W. C. “Spring and All,” “Danse Russe,” “Tracts”

Fitzgerald. The Great Gatsby

Hemingway. The Sun Also Rises

Faulkner. The Sound and the Fury, Go Down, Moses

Steinbeck. The Grapes of Wrath

Welty. “Delta Wedding,” “Why I Live at the P. O.”

Porter. Noon Wine

McCullers. The Ballad of the Sad Café

Miller. Death of a Salesman

Williams, T. A Streetcar Named Desire

Lowell, R. “The Quaker Graveyard in Nantucket,” “Skunk Hour,” “For the Union Dead”

O’Connor. A Good Man is Hard to Find

Bishop, E. “The Fish”

Rich, A. “Aunt Jennifer’s Tigers,” “Living in Sin,” “Snapshots of a Daughter-in-Law,” “Diving into the Wreck,” “Upper Broadway,” “Grandmothers”

Barth. Lost in the Funhouse

Bellow. Seize the Day

Carver, R. “Cathedral”

Percy. The Moviegoer

Didion. Play It As It Lays

Pynchon. Crying of Lot 49

African-American Authors

Baldwin. Go Tell it on the Mountain

Ellison. Invisible Man

Hurston. Their Eyes Were Watching God

Angelou. I Know Why the Caged Bird Sings

Morrison. Beloved, Sula

Walker, Alice. The Color Purple

Brooks, G. “The Lovers of the Poor,” “The Anniad,” “The Defender Sends Its man to Little Rock”

Hughes. Collected Poems

Bontemps, ed. American Negro Poetry

Naylor, Gloria. Mama Day

Bambara. Gorilla, My Love

Wright. Black Boy

Ethnic-American Authors

Alvarez, Julia. How the Garcia Girls Lost Their Accents

Cisneros, Sandra. House on Mango Street

Dorris, Michael. Yellow Raft on Blue Water

Erdrich, Louise. Love Medicine

Jen, Gish. Typical American

Kingston, Maxine Hong. Woman Warrior

Momaday, N. Scott. The Way to Rainy Mountain

Tan, Amy. The Joy Luck Club

Yammauchi, Wakako. And the Soul Shall Dance

X. Children’s and Young Adult Literature

Students should be familiar with the following representative works.

Perrault, C. Selections from Tales of Mother Goose (1696)

Grimm, T. and W. Selections from Household Tales (1812)

Carroll, L. Alice’s Adventures in Wonderland (1865) and Through the Looking Glass (1871)

Alcott, L. M. Little Women, Parts 1 and 2 (1865)

MacDonald, At the Back of the North Wind (1871), The Princess and the Goblin (1872)

Twain, M. The Adventures of Tom Sawyer (1876)

Stevenson, R. L. A Child’s Garden of Verses (1888)

Baum, L. F. The Wonderful Wizard of Oz (1900)

Nesbit, S. Five Children and it (1902)

Potter, B. The Tale of Peter Rabbit (1902)

Grahame, K. The Wind in the Willows (1908)

Barrie, J. Peter Pan (1911)

Burnett, P. E. The Secret Garden (1911), A Little Princess (1905)

Tolkein, J. R. R.  The Hobbit (1939)

Wilder, L. I. Little House on the Prairie (1941)

White, E. B. Charlotte’s Web (1952)

Pearce, P. Tom’s Midnight Garden (1959)

L’Engle, M. A Wrinkle in Time (1962)

Sendak, M. Where the Wild Things Are (1963)

Fitzhugh, L. Harriet the Spy (1964)

Zindel, P. The Pigman (1968)

Fritz, J. Homesick (1972)

Cormier, R. The Chocolate War (1974)

Taylor, M. Roll of Thunder, Hear My Cry (1976)

Paterson, K. Bridge to Terabithia (1977)

Cleary, B. Dear Mr. Henshaw (1983)

Hamilton, V. , ed. The People Could Fly (1985)

Among secondary works in children’s and young adult literature, the following are particularly useful:

Frey, C. H. The Literary Heritage of Childhood: An Appraisal of Children’s Classics in Western Tradition (1987)

Nodelman, P. Touchstone: Reflections on the Best in Children’s Literature, Volume One (1985)

Townsend, J. Written for Children Rev. ed. (1992)

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